Study for Winged Figures, 1968
Lynn Russel Chadwick  

Painting : ink, gouache · 48 x 65 x 0.1 cm 18.9 x 25.6 x 0 inch · Ready to hang

€6,500 6 500 €

One of the last works available by this artist

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Shipped from: Sweden

Delivery to: Germany , € 325

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

48 x 65 x 0.1 cm 18.9 x 25.6 x 0 inch Height x Width x Depth

Artwork dimensions including frame

65 x 83 x 3 cm 25.6 x 32.7 x 1.2 inch

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Credentials

Vetted seller since 2026

Description

This work on paper is the painted study for Chadwick's lithograph , produced in 1968 and printed in a limited edition of 75 by Erker Presse, St. Gallen, Switzerland. Signed and dated by the artist in the lower right.

The composition shows Chadwick at the height of his geometric period: angular, wing-like forms radiate from a central axis, rendered in yellow gouache and dense hatched ink. The tension between the rigid triangular planes and the implied movement of flight is characteristic of the work that made him one of the leading sculptors of postwar Britain. He had won the International Sculpture Prize at the Venice Biennale in 1956, beating Alberto Giacometti, and his reputation in the late 1960s was at its peak.

As a preparatory work, this gouache occupies a rare position between Chadwick's sculptural practice and his printmaking. The lithograph itself is exceptionally scarce, with no known auction records. The painted study is rarer still.

Signed and dated lower right. The work is presented with a passepartout in a gilt frame, glazed, ready to hang, shipped in a custom-built wooden crate.

Abstract

Wings

60s

Yellow

Lynn Russel Chadwick, Study for Winged Figures
United Kingdom  • 1914  - 2003

Presentation

Lynn Russell Chadwick (1914–2003) was an English sculptor who became one of the defining figures of postwar British art. Without formal training as a sculptor, he developed a unique technique of welding steel rods into geometric armatures, creating angular, expressive forms that drew on the human figure, animals, and architecture. In 1956 he represented Britain at the Venice Biennale and won the International Sculpture Prize, surpassing the favourite Alberto Giacometti. His work entered the collections of MoMA New York, Tate Britain, the Musée Rodin, the Art Institute of Chicago and the Royal Academy of Arts. A major retrospective was held at Tate Britain in 2003, the year of his death.

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