N° 1300 La Duchère. L’éblouissement., 2026
Painting : oil · 46 x 33 x 2 cm 18.1 x 13 x 0.8 inch
€520
520 €
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Shipped from: France
Delivery to: France , € 15
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
46 x 33 x 2 cm 18.1 x 13 x 0.8 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2021
Discount
This seller offers discount when you purchase multiple artworks.
Description
The first stop among the three libraries in the 9th arrondissement, this one was created in 2011 and is named after Annie Schwartz, a local personality who worked diligently as a public writer and facilitator of writing workshops.
The artist shares here his sudden discovery of a wondrous space where realism and imagination engage in a gentle, swaying dialogue, carried by a little prince in a state of deliberate imbalance. This figure, likely of Asian origin, seems to float amidst colors straight from [a specific location]. He is all alone. He is not reading. He is not choosing. He hesitates, just for a moment, in the softness of the shifting light. It is a canvas where a whispered melancholy surfaces. Undoubtedly the most intimate, the most vibrant of this series.
Presentation
"Bonpointism" could be her trademark because, born in an unmade bed of teachers in the land of Jaurès, she never stopped creating the images she dreamed of owning as a child.
The work, especially figurative, is aimed at people wishing to live daily with this particular breath in a corner of their living space. As the surface area of homes is shrinking especially in the city, the artist has thus been led to favor medium to small formats. His work, where the significance of an assertive design is concretized, is always carried out in the urgency of a creation that absolutely does not take into account the dictates of fashion or even his personal taste.
The color, the reliability of the line, the enhancement of a light inherent in each subject approached, allow us to recognize an appearance of naive appearance but carrying, perhaps by that very fact, an undeniable finesse in the understanding of our world and its underlying poetry.
The abundance of production and the versatility of the themes show an imaginary in perpetual boiling, nonetheless ordered by a certain rigor which, curiously, turns out not to be devoid of both humor and love.
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