Resta qui con me, 2026
Fabio Purino  

Painting : acrylic · 120 x 80 x 2 cm 47.2 x 31.5 x 0.8 inch · Ready to hang

€1,450 1 450 €

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Shipped from: France

Delivery to: Germany , € 119

Estimated delivery: Less than one week

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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

120 x 80 x 2 cm 47.2 x 31.5 x 0.8 inch Height x Width x Depth

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Description

The image unfolds in a monochrome urban setting. Gray dominates the facades and the stormy sky. In the center, a female figure captures the gaze. Her bright yellow hair breaks the neutrality of the landscape. She poses confidently, nude, in a provocative attitude.

Behind her, a man in a green suit emerges. His presence creates a strong chromatic contrast with the dull background. The saturated colors isolate the characters from their environment. The treatment of shadows emphasizes the dramatic tension of the scene.

The paved ground reflects the light, adding depth to the composition. The graphic style recalls the aesthetic of crime films or contemporary comic books. Every line is precise, every contour is marked. The whole evokes a cinematic, almost surreal atmosphere. The gaze is guided by the opposition between architectural rigor and the freedom of the bodies. The composition plays on successive planes to build an ambiguous visual narrative. The detail of the textures, from the car's metal to the folds of the clothing, reinforces the realism of this stylized vision.

Fabio Purino, Resta qui con me

Fabio Purino

France  • 1972
90 followers

Presentation

Fabio Purino (born in 1972 in Hayange, Moselle) is a Franco-Italian contemporary artist whose work lies at the intersection of painting, graphic design, and cinema. Former artistic director of the European cultural channel ARTE, since 2020 he has been exploring a pictorial language inspired by film editing and the French New Wave.

Key facts

Born: 1972, Hayange (Moselle, France)
Education: Metz Academy of Fine Arts
Previous career: Artistic Director of ARTE (1994-2008)
Award: Promax Europe, Eyes & Ears Germany. Style: Fusion of cinema, graphic design, illustration, and painting.

Background and influences

Purino began his career in visual arts, media production, and institutional communication before dedicating himself exclusively to painting. His experience in visual media—notably for France 2, RTL Germany, and MTV—shaped an approach where pictorial composition is conceived as montage. His influences include Michelangelo Antonioni, Saul Bass, David Hockney, and Jean-Luc Godard.

Aesthetics and themes

His works are characterized by cut-out figures, flat areas of vibrant color, and a strong graphic tension. Purino doesn't "paint" in the classical sense: he "assembles" the canvas like a film sequence. Each painting becomes a suspended narrative fragment, questioning visual memory and the perception of time. The artist advocates a "painting of resistance," which opposes the homogenization of the contemporary image.

Recent exhibitions

Between 2024 and 2025, Purino presented several exhibitions in France and Germany (“La Bella Confusione," “Flowers," “Masculine-Feminine") before his major Italian retrospective, La Nouvelle Vague. This exhibition, held at the Palazzo delle Arti Beltrani in Trani, explored the intersection of cinema, figures, and cut-out forms. Praised for its immersive approach, it solidified his artistic and emotional connection to the city, which he later celebrated in the Spiaggia di Trani series.

Importance in contemporary art

Purino occupies a unique place in the current European art scene: his work combines the rigor of design, the sensitivity of auteur cinema, and the freedom of abstract painting. He embodies a generation of artists who see the image as an act of thought, capable of creating meaning in an age of visual saturation.

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