Pluie - Série Paysage semi abstrait monochrome, 2026
Painting : acrylic, ink · 20 x 20 x 2 cm 7.9 x 7.9 x 0.8 inch · Ready to hang
€190
190 €
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Shipped from: France
Delivery to: France , € 17
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
20 x 20 x 2 cm 7.9 x 7.9 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2018 • Top Seller
Description
A total immersion in blue. This composition plays on the superposition of cool shades to evoke a horizon. The line is quick. The diagonal hatching suggests fine rain.
The approach prioritizes sensation over faithful reproduction of nature. The eye glides between areas of pale light and cobalt depths. The ink work brings a graphic precision that structures the space.
The balance between acrylic and ink creates a dense texture. The sky and the sea merge in a monochrome dialogue. The line of white foam marks a luminous break in the center of the painting. This piece belongs to a series exploring the semi-abstract landscape. The square format reinforces the visual concentration on chromatic variations. The final rendering relies on a spontaneous gesture and a patient observation of the natural world.
Presentation
After a first training cycle at the École des Beaux-Arts of Pau (64), I specialized in engraving under the direction of Jean-Marie Granier at the National School of Fine Arts of Paris. I diversified my artistic practice notably by working with ink which has become central today in my work with drawing as a basis.
From engraving to burin, I maintain a taste for meticulous work, and paper as a support. Nature is a subject of observation but also of dream, I do not seek to make it naturalistic; I observe the landscape for a long time, I let it infuse me, I draw quickly like taking notes then returning to the studio, often several months later the ink emerges. Sometimes it comes just from the color, but for me this color always stems from what I have been able to observe and carry within me, it is as concrete as a drawing of a tree and it is important to me that it carries emotion.
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