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Paysage - Série Paysage semi abstrait monochrome, 2026
Chantal Lascurettes  

Painting : acrylic, ink · 20 x 20 x 2 cm 7.9 x 7.9 x 0.8 inch · Ready to hang

CHF 183 183 CHF
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Shipped from: France

Delivery to: Switzerland , CHF 22

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

20 x 20 x 2 cm 7.9 x 7.9 x 0.8 inch Height x Width x Depth

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Credentials

Vetted seller since 2018 • Top Seller

Description

This monochrome landscape explores the boundary between figuration and abstraction. The artist uses a deep blue to translate a suspended atmosphere. The eye travels through horizontal strata evoking distant reliefs and expanses of water.
The technique mixes acrylic and ink. This choice allows for plays of transparency and subtle blends. The sky merges into the earth in a luminous gradient. The approach favors sensation and daydreaming rather than the exact reproduction of reality.
The line fades in favor of the colored mass. The composition breathes and invites contemplation. The work on light creates an immersive depth. This painting is made on canvas and signed in the bottom right.

Abstract

Landscape

Horizon

Imaginary landscape

Semi-abstract

Monochrome

Blue

Chantal Lascurettes, Paysage - Série Paysage semi abstrait monochrome
France  • 1957

Presentation

After a first training cycle at the École des Beaux-Arts of Pau (64), I specialized in engraving under the direction of Jean-Marie Granier at the National School of Fine Arts of Paris. I diversified my artistic practice notably by working with ink which has become central today in my work with drawing as a basis.

From engraving to burin, I maintain a taste for meticulous work, and paper as a support. Nature is a subject of observation but also of dream, I do not seek to make it naturalistic; I observe the landscape for a long time, I let it infuse me, I draw quickly like taking notes then returning to the studio, often several months later the ink emerges. Sometimes it comes just from the color, but for me this color always stems from what I have been able to observe and carry within me, it is as concrete as a drawing of a tree and it is important to me that it carries emotion.

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