Abstract 2 - Série Composition et Abstraction, 2026
Chantal Lascurettes  

Painting : ink, collage · 20 x 20 x 0.1 cm 7.9 x 7.9 x 0 inch · Ready to hang

€225 225 €
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Shipped from: France

Delivery to: Germany , € 27

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

20 x 20 x 0.1 cm 7.9 x 7.9 x 0 inch Height x Width x Depth

Artwork dimensions including frame

22 x 22 x 3 cm 8.7 x 8.7 x 1.2 inch

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Description

The ink spreads here with controlled freedom. The paper becomes the terrain of a dialogue between observation and memory. Nature is not copied, it is felt.
The gaze sweeps through strata of superimposed colors. Deep blue intermingles with flashes of solar yellow. Shades of green suggest an abstract landscape, a visual memory of the vegetal world.
The gesture is precise, inherited from rigorous training in engraving. Each transparency brings a new depth to the composition. The light seems to filter through layers of diluted ink.
The balance rests on the alternation between dense areas and more airy spaces. The composition is organized in horizontal bands that evoke the horizon or the movement of water. The whole forms a chromatic meditation where color becomes the main subject. This piece is presented in a clean white frame.

Abstract

Abstract art

Composition

Colors

Yellow

Green

Chantal Lascurettes, Abstract 2 - Série Composition et Abstraction
France  • 1957

Presentation

After a first training cycle at the École des Beaux-Arts of Pau (64), I specialized in engraving under the direction of Jean-Marie Granier at the National School of Fine Arts of Paris. I diversified my artistic practice notably by working with ink which has become central today in my work with drawing as a basis.

From engraving to burin, I maintain a taste for meticulous work, and paper as a support. Nature is a subject of observation but also of dream, I do not seek to make it naturalistic; I observe the landscape for a long time, I let it infuse me, I draw quickly like taking notes then returning to the studio, often several months later the ink emerges. Sometimes it comes just from the color, but for me this color always stems from what I have been able to observe and carry within me, it is as concrete as a drawing of a tree and it is important to me that it carries emotion.

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