Abstract 2 - Série Composition et Abstraction, 2026
Painting : ink, collage · 20 x 20 x 0.1 cm 7.9 x 7.9 x 0 inch · Ready to hang
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 27
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
ink , collage on watercolor paper
Dimensions ( cm • inch )
20 x 20 x 0.1 cm 7.9 x 7.9 x 0 inch Height x Width x Depth
Artwork dimensions including frame
22 x 22 x 3 cm 8.7 x 8.7 x 1.2 inch
Sold by
Art gallery
Credentials
Vetted seller since 2018 • Top Seller
Description
The ink spreads here with controlled freedom. The paper becomes the terrain of a dialogue between observation and memory. Nature is not copied, it is felt.
The gaze sweeps through strata of superimposed colors. Deep blue intermingles with flashes of solar yellow. Shades of green suggest an abstract landscape, a visual memory of the vegetal world.
The gesture is precise, inherited from rigorous training in engraving. Each transparency brings a new depth to the composition. The light seems to filter through layers of diluted ink.
The balance rests on the alternation between dense areas and more airy spaces. The composition is organized in horizontal bands that evoke the horizon or the movement of water. The whole forms a chromatic meditation where color becomes the main subject. This piece is presented in a clean white frame.
Presentation
After a first training cycle at the École des Beaux-Arts of Pau (64), I specialized in engraving under the direction of Jean-Marie Granier at the National School of Fine Arts of Paris. I diversified my artistic practice notably by working with ink which has become central today in my work with drawing as a basis.
From engraving to burin, I maintain a taste for meticulous work, and paper as a support. Nature is a subject of observation but also of dream, I do not seek to make it naturalistic; I observe the landscape for a long time, I let it infuse me, I draw quickly like taking notes then returning to the studio, often several months later the ink emerges. Sometimes it comes just from the color, but for me this color always stems from what I have been able to observe and carry within me, it is as concrete as a drawing of a tree and it is important to me that it carries emotion.
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