Derrière les yeux, 2026
Painting : oil, acrylic, marker · 100 x 81 x 2 cm 39.4 x 31.9 x 0.8 inch · Ready to hang
$2,174
2 174 $US
Delivered in time for Christmas
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 210
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
100 x 81 x 2 cm 39.4 x 31.9 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Description
This portrait is striking due to its raw power. The face, fragmented and asymmetrical, captures a deep inner tension. The artist uses oil sticks and markers to create a thick, almost wild material. The gesture is instinctive. The direct contact with the paint marks every line.
The gaze is striking. A human eye is juxtaposed with an exaggerated green globe, creating a dialogue between wisdom and chaos. The red mouth, with visible teeth, reinforces the expressive aspect of this figure. This character acts as a silent witness, a double oscillating between melancholy and provocation.
The background is a field of superimposed colors. Touches of red, green, and blue intertwine in a style close to raw art. The word LOVE appears in the upper right, contrasting with the roughness of the line. The whole forms a psychological mirror where education and anarchist spirit confront each other. The composition ends with a bust in earthy tones, anchoring the subject in a tactile reality.
Presentation
I started my career as a salesperson before becoming a decorator, where I began designing lamps... my meeting with a graffiti artist in 2017 marked a decisive turning point in my career.
I express myself through painting as others scream or cry.
I work mainly with oil sticks – I like this thick, raw, almost wild material. I use my finger to feel it, to stay in contact. Getting my hands dirty is part of the process: the more I'm immersed in the material, the more alive I feel.
My journey isn't linear. There wasn't a clear turning point, but rather a constant ebullition. My style took shape little by little, until a small, recurring face—my gaze, my double, my silent witness—took over. This figure, sometimes a sad clown, sometimes a monster, has become my graphic signature.
My work is very instinctive, but never gratuitous. Every line, every contrast between a "human" eye and a "bulging" one, between a tense or smiling mouth, speaks of this inner tension: between the wise and the trashy, between my upbringing and the anarchist fire.
If my paintings could speak, they would surely say:
“Look deep into me… and now, what do you really feel?" My painting is a mirror. And sometimes, a therapy.
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