Celui qui regardait le ciel, 2024
Painting : acrylic · 70 x 50 x 2 cm 27.6 x 19.7 x 0.8 inch · Ready to hang
€550
550 €
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 50
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
70 x 50 x 2 cm 27.6 x 19.7 x 0.8 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
A white silhouette stands out against a deep blue background. This stylized figure stretches upwards, carried by an upward movement. The thick, homogeneous black line structures the composition with graphic precision.
The artist draws inspiration from 20th-century modern painting and graffiti. He fragments human forms to approach abstraction. The background is treated with a rhythmic texture, composed of small repetitive touches.
This approach favors the simplicity of the gesture and spontaneity. The eye is invited to interpret these deconstructed contours, between mythological figure and geometric shape.
The balance rests on the sharp contrast between the flat areas of color. The composition plays on the tension between the emptiness of the white and the density of the blue. This painting explores the border between the figurative and the abstract through a controlled line.
Presentation
Painter, draftsman, and muralist, Bleg is an artist born in 195 and originally from Brittany. He has been living in Lyon for almost 10 years now. Working with a strong graphic design based on a thick and homogeneous line, he explores techniques and multiplies supports. Touched in his childhood by the discovery of Cubist and surrealist works, he draws inspiration today from 20th-century modern painting, graffiti, architecture, and mythology. He proposes very graphic compositions, representing most of the time highly stylized, more or less deconstructed humanoid figures, thus tending towards visuals on the edge of abstraction.
He likes to play with the interpretation the public can make of his work and confront this first reading with the explanation of the symbolism of his line. A partisan of letting go, Bleg often sets out without any preparation on his canvases or sheets of paper, waiting for the "artistic accident." His work is characterized by a search for perpetual simplicity, based on a fast but controlled movement.
He likes to play with the interpretation the public can make of his work and confront this first reading with the explanation of the symbolism of his line. A partisan of letting go, Bleg often sets out without any preparation on his canvases or sheets of paper, waiting for the "artistic accident." His work is characterized by a search for perpetual simplicity, based on a fast but controlled movement.
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