La mémoire des absentes, 2026
Painting : oil · 35 x 27 x 2 cm 13.8 x 10.6 x 0.8 inch
CHF 242
242 CHF
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Shipped from: France
Delivery to: Switzerland , CHF 22
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
35 x 27 x 2 cm 13.8 x 10.6 x 0.8 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2023
Description
In this work, the artist explores the territories of memory and absence, where the silhouettes of the past merge with present emotions. A woman, represented from behind, seems absorbed in a silent interiority. Her nudity, far from any provocative dimension, evokes a naked fragility, a presence that eludes the gaze. Around her, black lines sketch faces, fragments of bodies, and undefined shapes, like incomplete memories whose contours fade. The material, worked in relief, contrasts the warmth of orange ochres with the coolness of turquoise tones, creating a tension between presence and disappearance. The nervous lines and impasto give the composition an almost instinctive dimension, as if memory is trying to retain what escapes it. Between figuration and abstraction, the work thus questions the imprints left by absent beings and the way they continue to inhabit our inner landscape.
Presentation
Sylvie JULKOWSKI-EGARD draws her inspiration mainly from her environment, which is why she works in series on recurring subjects.
In the series "MY LITTLE GIRLS" the painter draws inspiration from situations that she observes in society or in her surroundings to deliver a personal interpretation (the break with "an ordinary earthquake", the rivalry in "The Chosen One", Good and Evil in "Alter Ego", "The Hold", etc.)
She works in collaboration with her daughter, who serves as a model to create scenes that will be the basis of her works. She sometimes uses a few symbols that will serve as reading keys.
She uses all kinds of tools, brushes, spalters to express herself and a nuanced color palette. In her genre scenes, she particularly develops the expression of the subject, the gaze, a reflection of the soul, while the environment is painted in a more energetic manner.
The series on "URBAN LANDSCAPES" allows the painter to approach a season that she loves for its shadows and vibrant colors: summer.
She draws her inspiration mainly from Paris, the City of Lights, where she spends part of the year. Recently, she has focused on human beings in the city, capturing fleeting moments ("Urban Vibrations," "Convergence," etc.), small everyday moments (café terraces), sometimes with unusual framing ("A Summer Break").
She uses bright colors and all kinds of tools according to her favorite technique to make the subject vibrate.
"REFLECTIONS ON THE PASSING OF TIME": The painter chose to depict transport vehicles in the manner of the Vanitas paintings of yesteryear, that is, by representing the wear and tear of time, rust, holes, and decay. Here too, she favors a particular framing, taking the object out of the limits of the painting to make it more imposing. Just like us, these vehicles are only passing by, the course of time being inevitable. She paints vehicles with rounded, sensual shapes and bright colors.
"THE PORTRAITS": Sylvie JULKOWSKI-EGARD depicts women not as a pretext for political, social, or philosophical discourse, but as an integral part of the creative process itself. They allow her to unleash her creativity, to push her creative process further, and to add a poetic dimension to her work. By marrying tradition and modernity, by juxtaposing realistic elements and abstract motifs, a fusion of the tangible and the intangible is created.
Gold Medal at the Salon des Artistes Français, PARIS 2026.
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