Bronze Sculpture for Sale
Tingari, 1996
Painting : acrylic · 106 x 27 x 2.5 cm 41.7 x 10.6 x 1 inch
€480
480 €
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: France , € 34
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the gallery
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Not Signed
Dimensions ( cm • inch )
106 x 27 x 2.5 cm 41.7 x 10.6 x 1 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2016
Description
A vertical composition rhythmic by a geometric repetition. Concentric circles align and create a hypnotic movement. The palette relies on earthy tones. Ochre, brown, and grayish blue interweave in successive strata.
The gaze follows a fluid trajectory. The curves wave on the edges to frame each central motif. This play of lines evokes an organic, almost mineral reading. Each circle becomes a visual anchor point.
The superposition of colors brings subtle depth. The contrast between warm and cool hues structures the space. The balance is rigorous. The work on symmetry reinforces the stability of the whole.
The tactile aspect suggests a material worked with precision. The repetition of the motif establishes a regular cadence. The whole unfolds like a chromatic totem. The piece ends with a final circle centered in the lower part.
Presentation
George Tjampu Tjapaltjarri (born around 1930 – 2005) is an Australian Aboriginal painter of the Pintupi language and a figure in the Western desert art movement. Born in Tikilpa, southwest of Lake Mackay, he grew up according to the traditional nomadic lifestyle in the Gibson desert before joining the Papunya community in the 1950s-1960s. A man initiated holding high ritual responsibilities in the preservation of (The Dreamtime), he began to paint in the early 1970s within the Papunya Tula Artists cooperative. His work, marked by geometric compositions with interwoven patterns and the use of pigments with earthy tones, recounts ancestral stories related to the sacred sites of the desert, vital waterholes, as well as the Dreamings of the Staff and the Serpent. Settled later in Kiwirrkura during the movement to return to ancestral lands, he leaves a sober and rigorous work today preserved in major institutions such as the National Gallery of Australia and the Art Gallery of New South Wales.
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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