Fenêtre à Montparnasse, 2007
Painting : oil · 80 x 65 x 1 cm 31.5 x 25.6 x 0.4 inch · Ready to hang
€5,000
5 000 €
Delivered in time for Christmas
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 250
Estimated delivery: Four to five weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
80 x 65 x 1 cm 31.5 x 25.6 x 0.4 inch Height x Width x Depth
Artwork dimensions including frame
81 x 66 x 2 cm 31.9 x 26 x 0.8 inch
Sold by
Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
This painting is part of "Ceccotti-Passeretti. Metaphysics of Time", an exhibition dedicated to Sergio Ceccotti and Umberto Passeretti at the Italian Cultural Institute of Paris (September 11 - November 5, 2026).
The exhibition is accompanied by a catalogue including texts by Antonio Calbi, Andrea Iezzi and Julie Borgeaud.
Presentation
Sergio Ceccotti is an Italian artist born in Rome in 1935. He lives and works in Rome.
Sergio Ceccotti is the painter of normality. Based on the banality of daily life, his pictorial fictions reveal paradoxes and fears of our time.
Many of his artworks are set in Rome or Paris, which offer real movie sets for his narrations. By subtle distortions of reality, Sergio Ceccotti highlights the unusual everyday life which lies in an overflow of banality or in the enigmatic presence of familiar objects. Full of allusions to comics, film noir, literary references, media coverage and photo romances, he instills doubt into the viewer's mind, trapped in a complex network of correspondences.
Influenced by the New Objectivity, the eerie atmospheres of Giorgio de Chirico and the American pop art, Sergio Ceccotti proposes an overall vision of heterogeneous aspects of rationalized metropolitan lives. Under his brushstroke, the most insignificant of objects can explode all our certainties.
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