Bronze Sculpture for Sale
Fusion D’éléments, 2025
Painting : acrylic · 40 x 50 x 2 cm 15.7 x 19.7 x 0.8 inch · Ready to hang
$1,587
1 587 $US
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 263
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
40 x 50 x 2 cm 15.7 x 19.7 x 0.8 inch Height x Width x Depth
Artwork dimensions including frame
43 x 53 x 4 cm 16.9 x 20.9 x 1.6 inch
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Description
1 - Description of the work
"Fusion of elements" organizes, on a white canvas in a horizontal format, the meeting of two chromatic territories. On the left, a cool current: midnight blue, ultramarine, slate gray, and silvery gray, enhanced by ivory ribbons in relief and a few touches of golden ochre. On the right, a warm surge: bright orange, vermilion, brick red, and rust brown, enveloped by a pulverized orange halo, like the heat radiating from a hearth. The shapes, with rounded contours, evoke pools, islets, or flows of cooled lava. In the center, the two ensembles interlock: dark blues and reddish browns fit together without mixing, drawing a contact zone where tension becomes form. The red signature, in the bottom right, discreetly extends the warm slope.
2 - Critical analysisEmblematic of Tensions & Transformations, the work brings together two primordial energies that, far from opposing frontally, compose a dynamic balance: • Cold vs warm: the left–right partition is clear, but the border remains alive, made of interlockings and overflows. • Fluidity vs relief: the smooth planes dialogue with the thick ribbons, which give the blue a texture of foam. • Contact vs fusion: the colors touch without blending: the fusion announced by the title is a process in progress, not a result. "Fusion of elements" shows that harmony does not arise from the effacement of opposites, but from their just encounter.
3 - Artistic and spiritual perspective3.1 - In the work of GABAN the work forms a counterpart to Celestial Fusion, created in the same month: this one explores the union of fire and air, while Fusion of elements depicts the terrestrial and aquatic version, that of fire and water. It also dialogues with Incandescence of horizon: one hollows out matter and its fertile conflict, the other opens the sky and the radiation.
3.2 - Artistic parentageThe distribution of blues and oranges on a white background left free connects the work to a lyrical abstraction that makes empty space an active element and the agreement of complements a language. The fluidity of the forms, between sign and landscape, depicts a tighter version of it, where each spot retains the density of a material in mutation.
3.3 - Spiritual resonance:Ancient symbolism figures fire by a triangle pointing up and water by a triangle pointing down; their intertwining expresses the reconciliation of opposites. The canvas proposes a pictorial translation: inner fire and the fluidity necessary for life coexist without annihilating each other. It suggests that a fulfilled being is not one who has extinguished their tensions, but one who has known how to reconcile them.
4 - Strengths of the work—Conclusion A frank and luminous blue–orange accord, of great readability. Ivory reliefs that bring a tactile vibration to the surface. A compact horizontal format, which matches the most varied spaces. A work of balance, accessible synthesis of Tensions & Transformations.
Presentation
GABAN is the name of a tight wing beat.
a breath that is no longer stifled. A vibration that imposes its necessity. Painter of pure emotion and living matter, GABAN emerges late, but with the certainty of being, finally, where everything converges.
Descended from a lineage of artists – grandson of Maxime Pierre André Verdier, painter and professor at the Beaux-Arts, and son of Michel Verdier, pathologist and leatherworker – GABAN carries in his veins the memory of gestures, the rigor of the gaze, and the freedom of pigments. But it is outside the academies that his work takes shape. A few courses, quickly abandoned. The essential is elsewhere: in the clash of colors, the visceral drive of the gesture, the tension between surface and depth. Never copy reality. Pierce it. Feel it. Invent it. With GABAN, emotion prevails over figuration, texture over line. His studios, in Paris and Aix-en-Provence, are sanctuaries. On one side a setting built for her by her partner, where the silent metamorphosis of an demanding and exposed Parisian life takes place, towards an inner fertility. There, the Ithaque house park unfolds its infinite palette of greens, ochres, wet shadows. Nature is not a source of inspiration: it is a matrix, a partner, a living double. On the other, his Parisian studio where the reflections of the sun on the Parisian rooftops are as many mirrors of souls, fertile ground for his creations. GABAN, a name chosen with poise by a woman who fully embraces herself but refuses assignments. Ambition is not gendered: to become a great artist, to sell his works during his lifetime, to exist in matter and in the market. That the art history is predominantly masculine is not a constraint, it is a field to reinvent. Appearing in painting in 2013 in a moment of assumed fracture with conventions and self-censorship, GABAN enters creation by breaking through. His period “EMERGENCE" (2013-2017) is dense, mineral, tumultuous. The canvases bear the stigmas of excess, of inner chaos, of flaws as much as of the will to extract oneself. The material is raw, sometimes black, incised, like scorched earth still smoking. Since 2025, a new era is taking hold: the period “CONVERGENCE", oriented towards calming, acceptance, openness. The colors broaden, the forms breathe, the gestures lighten without ever losing intensity. GABAN no longer seeks: GABAN is. And each canvas says it with elegance and power. GABAN does not paint to adorn, but to speak. To speak the dazzling beauty of the living, the subterranean struggles of the soul, and that quest for an always unstable balance between demand, freedom, and humanity.
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Reviews from our customers
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