Bronze Sculpture for Sale
Vibration Chlorophyllienne, 2025
Painting : acrylic · 80 x 80 x 2 cm 31.5 x 31.5 x 0.8 inch · Ready to hang
€3,160
3 160 €
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 155
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
80 x 80 x 2 cm 31.5 x 31.5 x 0.8 inch Height x Width x Depth
Artwork dimensions including frame
83 x 83 x 4 cm 32.7 x 32.7 x 1.6 inch
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Description
1 - Description of the work
"Chlorophyllian Vibration" deploys on a white canvas a vegetal surge that rises diagonally, from bottom left to top right. The greens in it range across an extensive spectrum — acid anise, olive, sage, bottle green — and dialogue with violets that range from transparent lilac to deep aubergine. The material alternates regimes: lacquered and smooth planes, thin veils allowing the grain of the canvas to show through, cracked areas where the pigment has fissured into a network. A long dark green spiral winds in the heart of the composition, like a curl seeking support. Around it, the white is not a passive background: a first layer of white paste, perceptible in relief on the edges, prepares and frames the field. The color unfolds in this measured silence.
2 - Critical analysis
Within Réseaux & Interconnexions, the work makes visible what the series usually seeks beneath the surface: the network is no longer buried, it surfaces. The canvas is organized according to three fertile tensions: • Growth vs memory: the green pushes, extends, conquers; the violet, color of transformation, retains and deepens. • Opacity vs transparency: thicknesses and translucent veils make the eye circulate at different depths, like in a living fabric. • Momentum vs reserve: the ascending diagonal gives the impulse, the free white guarantees legibility. "Chlorophyllian Vibration" makes color a physiology: one does not look at a plant in it, one witnesses a circulation.
3 - Artistic and spiritual perspective
3.1 - In the work of GABAN the work forms with vegetal synapse a conceptual diptych: to the subterranean and nerve version of the network, its aerial and luminous manifestation responds here. The violet, which affirms itself as a counterpoint, will become a guiding thread: it is found, streamlined and associated with black, in Montée capillaire, where the Persistence period prolongs the reflection on the flows of life.
3.2 - Artistic parentage
With its translucent veils that allow the canvas to breathe, the work joins the family of painting by impregnation, where color penetrates the support instead of covering it. It also dialogues with the long tradition of observing vegetal forms, without ever passing through imitation: the plant exists in it only through the movement of matter. 3.3 - Spiritual resonance: medieval mysticism had a word for this power: viriditas, which Hildegard of Bingen described as the greening force by which the divine animates all living things. The canvas offers a contemporary translation: the green is energy of growth, the violet memory of metamorphoses, and their meeting suggests that all blossoming keeps the imprint of what it has undergone. The work thus proposes an inner ecology: to grow without forgetting.
4 - Strengths of the work —
Conclusion A green-violet accord of great accuracy, both vivid and deep. A material with multiple regimes — lacquered, translucent, cracked — which rewards close looking. An ascending composition, balanced by the reserve of white. One of the most luminous and accessible works of Réseaux & Interconnexions.
Presentation
GABAN is the name of a tight wing beat.
a breath that is no longer stifled. A vibration that imposes its necessity. Painter of pure emotion and living matter, GABAN emerges late, but with the certainty of being, finally, where everything converges.
Descended from a lineage of artists – grandson of Maxime Pierre André Verdier, painter and professor at the Beaux-Arts, and son of Michel Verdier, pathologist and leatherworker – GABAN carries in his veins the memory of gestures, the rigor of the gaze, and the freedom of pigments. But it is outside the academies that his work takes shape. A few courses, quickly abandoned. The essential is elsewhere: in the clash of colors, the visceral drive of the gesture, the tension between surface and depth. Never copy reality. Pierce it. Feel it. Invent it. With GABAN, emotion prevails over figuration, texture over line. His studios, in Paris and Aix-en-Provence, are sanctuaries. On one side a setting built for her by her partner, where the silent metamorphosis of an demanding and exposed Parisian life takes place, towards an inner fertility. There, the Ithaque house park unfolds its infinite palette of greens, ochres, wet shadows. Nature is not a source of inspiration: it is a matrix, a partner, a living double. On the other, his Parisian studio where the reflections of the sun on the Parisian rooftops are as many mirrors of souls, fertile ground for his creations. GABAN, a name chosen with poise by a woman who fully embraces herself but refuses assignments. Ambition is not gendered: to become a great artist, to sell his works during his lifetime, to exist in matter and in the market. That the art history is predominantly masculine is not a constraint, it is a field to reinvent. Appearing in painting in 2013 in a moment of assumed fracture with conventions and self-censorship, GABAN enters creation by breaking through. His period “EMERGENCE" (2013-2017) is dense, mineral, tumultuous. The canvases bear the stigmas of excess, of inner chaos, of flaws as much as of the will to extract oneself. The material is raw, sometimes black, incised, like scorched earth still smoking. Since 2025, a new era is taking hold: the period “CONVERGENCE", oriented towards calming, acceptance, openness. The colors broaden, the forms breathe, the gestures lighten without ever losing intensity. GABAN no longer seeks: GABAN is. And each canvas says it with elegance and power. GABAN does not paint to adorn, but to speak. To speak the dazzling beauty of the living, the subterranean struggles of the soul, and that quest for an always unstable balance between demand, freedom, and humanity.
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