Bronze Sculpture for Sale
Bloom 7, 2026
Painting : oil, acrylic, Textiles · 39 x 36 x 3 cm 15.4 x 14.2 x 1.2 inch · Ready to hang
CHF 690
690 CHF
Shipping & delivery
Shipped from: Georgia
Delivery to: Switzerland , CHF 104
Estimated delivery: Less than one week
Free returns within 14 days, full refund
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Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
39 x 36 x 3 cm 15.4 x 14.2 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Professional art gallery • France
Credentials
Vetted seller since 2015
Discount
This seller offers discount when you purchase multiple artworks.
Description
Acrylic, oil, pigment & textile on Soviet-era factory-produced biazi fabric mounted on cardboard
This abstract composition merges memory with materiality. The artist utilizes reclaimed Soviet-era cotton fabric as a foundational surface. This choice transforms the artwork into a living archive of domestic history. Deep purples and muted magentas bleed into one another through fluid layering. The palette evokes a sense of nostalgia and fading remnants. A singular, vibrant green line cuts through the center. This organic gesture provides a sharp contrast to the atmospheric background. It suggests a sudden spark of life amidst an oceanic wash of color. The intersection of oil and acrylic creates a rich, tactile depth. Subtle washes and erased patches speak to the process of forgetting and remembering. The texture of the biazi fabric remains visible under the pigment. It anchors the piece in a specific temporal and cultural context. Every stroke balances precision with spontaneous emotion. The result is a meditative exploration of post-socialist residues. The visual tension rests between the heavy saturation of the top half and the airy, pale tones at the base. This creates a floating effect that defies traditional gravity.
Presentation
Born in 1995 in Zugdidi, Georgia, Gela Mikava is a Georgian contemporary artist who lives and works in Tbilisi. Trained as an architect, he received his BA in Architecture from Georgian Technical University in 2018 and completed his MA in 2021. His artistic practice developed at the intersection of painting, material research, and installation, exploring the relationship between personal and collective memory, material history, and contemporary experience.
A distinctive element of Mikava's practice is his use of authentic Soviet-era biazi cotton fabric, reclaimed from old domestic interiors. Previously used as ceiling covering in Soviet-period homes, the fabric is carefully removed, cleaned, and transformed into a surface for painting. For the artist, this material functions as a form of archive, carrying traces of domestic life, time, use, and disappearance before becoming part of the artwork.
Mikava's practice is closely connected to his concept of “Post-Socialist Radiation," through which he examines the subtle psychological and aesthetic traces of Soviet ideology that continue to exist within contemporary life. Working across painting, textile, collage, and installation, he employs processes of layering, absorption, washing, peeling, obscuring, and erasure to explore how memory can remain embedded within materials and surfaces.
His projects include *The Bijouterie*, *Post-Alienation*, *Infanta Destruction*, *Predators & Herbivores*, *Artificial Flowers*, and *What Remains of Gesture*. His work has been presented internationally in Europe and the United States, including a solo exhibition *It is Heard — The Silence, I See — Nothing* in Atlanta in 2024. His work has also been presented at art fairs and exhibitions in London and is held in private and institutional collections, including the Lester Marks Collection.
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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