Bronze Sculpture for Sale
Bloom 8, 2026
Painting : oil, acrylic, Textiles · 39 x 36 x 3 cm 15.4 x 14.2 x 1.2 inch · Ready to hang
CHF 690
690 CHF
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Shipped from: Georgia
Delivery to: Switzerland , CHF 104
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
39 x 36 x 3 cm 15.4 x 14.2 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Professional art gallery • France
Credentials
Vetted seller since 2015
Discount
This seller offers discount when you purchase multiple artworks.
Description
Acrylic, oil, pigment & textile on Soviet-era factory-produced biazi fabric mounted on cardboard
Deep blue tones dominate this evocative composition. The palette shifts from midnight indigo to muted violet. Faint streaks of vibrant green emerge like ghostly flora. These organic shapes slice through the dark background. The surface is not a canvas. It is reclaimed Soviet-era biazi cotton fabric. This material carries a hidden history of domestic life. It once served as ceiling covering in old homes. The artist uses layering and washing to blur the lines between memory and matter. Oil and acrylic pigments bleed into the textile fibers. This process creates a sense of atmospheric depth. The artwork explores the psychological remnants of a lost era. Light pink accents anchor the bottom right corner. They provide a soft contrast to the heavy shadows. The rough edges of the fabric remain visible. This choice emphasizes the raw nature of the archive. Every stain and fold speaks to the passage of time. The result is a meditative study on disappearance and endurance. The piece balances structural architectural precision with fluid abstract expression.
Presentation
Born in 1995 in Zugdidi, Georgia, Gela Mikava is a Georgian contemporary artist who lives and works in Tbilisi. Trained as an architect, he received his BA in Architecture from Georgian Technical University in 2018 and completed his MA in 2021. His artistic practice developed at the intersection of painting, material research, and installation, exploring the relationship between personal and collective memory, material history, and contemporary experience.
A distinctive element of Mikava's practice is his use of authentic Soviet-era biazi cotton fabric, reclaimed from old domestic interiors. Previously used as ceiling covering in Soviet-period homes, the fabric is carefully removed, cleaned, and transformed into a surface for painting. For the artist, this material functions as a form of archive, carrying traces of domestic life, time, use, and disappearance before becoming part of the artwork.
Mikava's practice is closely connected to his concept of “Post-Socialist Radiation," through which he examines the subtle psychological and aesthetic traces of Soviet ideology that continue to exist within contemporary life. Working across painting, textile, collage, and installation, he employs processes of layering, absorption, washing, peeling, obscuring, and erasure to explore how memory can remain embedded within materials and surfaces.
His projects include *The Bijouterie*, *Post-Alienation*, *Infanta Destruction*, *Predators & Herbivores*, *Artificial Flowers*, and *What Remains of Gesture*. His work has been presented internationally in Europe and the United States, including a solo exhibition *It is Heard — The Silence, I See — Nothing* in Atlanta in 2024. His work has also been presented at art fairs and exhibitions in London and is held in private and institutional collections, including the Lester Marks Collection.
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All our reviews are extracted from Verified Reviews
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