Kazbek | Sunrise Over Mount Kazbek in Georgia, 2020
Painting : oil · 120 x 80 x 2 cm 47.2 x 31.5 x 0.8 inch · Ready to hang
€3,548
3 548 €
Delivered in time for Christmas
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Shipped from: United States
Delivery to: Spain , € 156
Estimated delivery: Three to four weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
120 x 80 x 2 cm 47.2 x 31.5 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2024 • Top Seller
Description
The first rays of morning light illuminate Mount Kazbek in brilliant gold and orange while the surrounding ridges remain in deep blue and violet shadow. Against a broad turquoise sky, the glowing summit becomes the unmistakable center of the composition.
The artwork is inspired by the experience of waking in Stepantsminda, Georgia, and seeing the mountain transformed by sunrise. Below the peak, a small silhouette refers to the 14th-century Trinity Church standing at an altitude of 2,170 meters, emphasizing the immense scale of the surrounding landscape.
Bold contrasts of warm and cool color shape the scene more strongly than detailed realism. Yellow, ochre, orange, and red create the illuminated mountain, while cobalt, indigo, violet, pale blue, and charcoal define the colder foreground ridges.
Its strong color relationships and dramatic sense of place make the artwork particularly suitable for contemporary interiors and for collectors drawn to mountains, travel, Georgia, and expressive landscape art. It may also make a thoughtful gift for someone with memories of the Caucasus or a strong connection to mountain landscapes.
Materials: Oil on canvas.
Shipping / Display: Ready to hang. The artwork is shipped in a protective box.
Colors & Shades
Golden yellow, warm ochre, amber, vivid orange, burnt orange, vermilion, red-orange, turquoise blue, teal blue, muted cyan, sky blue, icy blue, cobalt blue, ultramarine, indigo, violet, blue-violet, charcoal black, deep brown, soft gray.
This artwork may especially appeal to collectors who love dramatic mountain landscapes, the Caucasus, expressive color, and paintings in which light transforms a recognizable place. It suits someone drawn to travel, high-altitude scenery, early morning atmosphere, and the contrast between monumental nature and small traces of human presence. It may be particularly meaningful for people who have visited Georgia or associate mountains with freedom, solitude, endurance, and discovery.
The saturated blue-violet foreground and brilliant golden mountain make the artwork suitable for a contemporary living room, study, office, hallway, mountain home, travel-inspired interior, or other space where a strong landscape can become a focal point. Its warm and cool contrast works particularly well with neutral walls, natural wood, stone, dark furniture, or interiors using blue, ochre, or terracotta accents.
Presentation
Daniil Mikhailov is a contemporary artist. A member of the Union of Artists of Russia since 2019, he has presented solo exhibitions at the Vasnetsov Art Museum (2022) and the Museum and Exhibition Center of Kirovo-Chepetsk (2023). His work has also appeared in major regional and national exhibitions, including Russia XIII in Moscow (2024) and Russian North 13 at the Pskov Museum-Reserve (2023).
Daniil Mikhailov's practice is centered on impression: the moment when looking turns into contemplation. Rather than describing a subject in exhaustive detail, he seeks to preserve its atmosphere and emotional charge.
His technique combines a soft, transparent, watercolor-like underpainting with dense, opaque brushwork applied by brush or palette knife. The contrast creates luminous shadows, saturated areas of light, and a surface that moves between delicacy and physical presence.
For Daniil Mikhailov, deliberate understatement is essential. By leaving forms partially unresolved, he gives color, light, and gesture greater emotional weight, inviting the viewer not simply to recognize a place or object, but to enter the state in which it was experienced.
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