Colby 12, 2015
Painting : Watercolour, aerosol paint, pencil, ink · 65 x 117 cm 25.6 x 46.1 inch
Shipping & delivery
Shipped from: United States
Delivery to: Germany , € 410
Estimated delivery: One to two weeks
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Watercolour , aerosol paint , pencil , ink on paper
Dimensions ( cm • inch )
65 x 117 cm 25.6 x 46.1 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Peter Soriano works on relatively large sheets of Japanese paper with a tendency to work from something observed, ideally around him. He tends to be “in” the configuration that is the subject of the work.
Soriano is fond of “systems” objects attached to other objects, such as the wiring plan of a room. But very often there are other shapes that play a role in the work.
The artist would fold and rework a piece a number of times. Folding seems to concentrate the dialogue that attracts him. Reworking is part of his nature. The finished work normally is the result of this ebb and flow between the heightening and repositioning the relationship between forms.
This artwork is a drawing related to a wall drawing made late 2015 for the Colby Museum of Art entitled Permanent Maintenance. This drawing is based on the placement of stones and a platform at the edge of a pond.
Presentation
Soriano's work is inspired by the landscapes that surround him, but also by those of the 19th century, prehistoric cave paintings and Japanese studies on Ukiyo-e works on paper.
He is known for his boldly painted bold murals and for his more intimate works on paper, made with pen, ink, watercolor and aerosol spray paint. Soriano's work is gestural and geometric, dominated by a graphic lexicon of marks and notations. In the mid-1990s, Soriano was recognized worldwide for his biomorphic fiberglass sculptures, falsely playful. Then, Soriano completely eliminated the structural elements to introduce another body of work: wall drawings or murals. Parallel to these mural works, Soriano produces works on paper inspired by the same things. These drawings, on Japanese paper, are made using pencils, colored inks, spray paint and watercolor.
"Drawing is a vehicle that I use to situate myself in various spaces: physical, metaphorical and psychological. I use paper to show how these spaces intersect, to help clarify and understand them. "Peter Soriano, 2012.
Soriano's work is owned by museums in the United States and Europe, including the Cartier Foundation for Contemporary Art, in Paris, France; the Morgan Library & Museum in New York, the Harvard Art Museum in Cambridge ... His work is also part of the corporate collection of Neuberger & Berman in New York. The artist has exhibited extensively in galleries and museums in the United States, Europe and Asia.
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