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Sylvie Guyomard Suspension - Les Larmes de Marie-Madeleine-X, 2007

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$3,569

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The artwork is available for pickup from the gallery in ETRECHY, France


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About the seller
ARTCOM Paris

Étréchy, France

Artsper seller since 2018
15 orders finalized
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Sylvie Guyomard, Suspension - Les Larmes de Marie-Madeleine-X
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About the work
  • Medium

    Painting : oil

  • Dimensions cm | inch

    39.4 x 39.4 x 0.8 inch

  • Support

    Painting on canvas without stretcher (shipped in a tube)

  • Framing

    Not framed

  • Type

    Unique work

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Hand-signed by artist

  • About the artwork

    Artwork sold in perfect condition

    The tears of Mary Magdalene, Tears of love: Concept of rebirth, atonement, spiritual renewal. It was after making the painting that the title was inspired by the artist. The evocation of the very first apostle of the resurrection who wept at the feet of Jesus one day, at Simon the Pharisee.

    The series "Suspension" the title speaks for itself.
    Sylvie Guyomard is continuing her research here on light effects. On a bare canvas, without preparation, the artist spreads fine streams of oil and pigments which are juxtaposed vertically. Through this colored curtain, a few inlays (white gold, mother-of-pearl, partitions, etc.) thus recreate the effects of moiré and lightness.

    "It's a real suspended painting that interests me; the lightness and transparency, the fluidity and the sag. It's even more evident on plexiglass, always with this rhythm that inhabits me" Sylvie Guyomard
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Origin: France
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Sylvie Guyomard

France Born in: 1964
Born in 1964, Sylvie Guyomard is a plastic artist who, after having studied at the Beaux-Arts School in Paris, studied mural painting; she is also passionate about architecture.

Her creations are influenced by nature, she is interested in volcanic eruptions, in geology, in fossils; everything that involves the ?boiling? of the earth.

Sylvie Guyomard has worked in the beginning with inlays of materials to arrive today to something more ?zen?, all the while following her own path.

From her third project on, she has been using slate. She works with this material in order to show and use the light. The search for reflections, the strong contrasts, she goes from light gray to black , in some cases adding inlays to accentuate the mysterious side, reminding of icons a little.

Sylvie Guyomard likes the idea that the observer becomes an actor, that we can move around the work and be able to contemplate each angle and see the piece so differently from one place to another. For her, the light is part of the piece and it can make it evolve through the day and the seasons.
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Sylvie Guyomard, Suspension - Les Larmes de Marie-Madeleine-X
Sylvie Guyomard, Suspension - Les Larmes de Marie-Madeleine-X Sylvie Guyomard, Suspension - Les Larmes de Marie-Madeleine-X Sylvie Guyomard, Suspension - Les Larmes de Marie-Madeleine-X Sylvie Guyomard, Suspension - Les Larmes de Marie-Madeleine-X Sylvie Guyomard, Suspension - Les Larmes de Marie-Madeleine-X Sylvie Guyomard, Suspension - Les Larmes de Marie-Madeleine-X