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Industrialisation, 2022
Romain Liverato  

Photography : color edition, paper, HD print, fine art print · 40 x 60 x 1 cm 15.7 x 23.6 x 0.4 inch · Ready to hang

€400 400 €
Delivered in time for Christmas
Shipping & delivery

Shipped from: France

Delivery to: Germany , € 36

Estimated delivery: Two to three weeks

Free returns within 14 days, full refund

Authenticity guaranteed

Sold with certificate of Authenticity from the artist

Invoice from the artist Learn more

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Signed artwork

Dimensions ( cm • inch )

40 x 60 x 1 cm 15.7 x 23.6 x 0.4 inch Height x Width x Depth

Artwork dimensions including frame

50 x 70 x 3 cm 19.7 x 27.6 x 1.2 inch

Sold by

Independent artist

Credentials

Vetted seller since 2021

Discount

This seller offers discount when you purchase multiple artworks.

Description
The artist wanted to represent here, as its title indicates, industrialization, which involves the decline of nature in the face of heavy industry, which not only encroaches fundamentally speaking on natural sites but also makes them disappear because of of our impact in general. Photographs printed on Epson 200g fine art paper, wooden frame.

Landscape

Landscape

Factory

Romain Liverato, Industrialisation
France  • 1982

Presentation

Photographer for 11 years, whose photographic quest has always been that of the intact landscape. This sought-after intimacy with nature, the landscape is called into question by the omnipresence of mankind in the environment, not only because of its way of life but also of mass tourism.

Seeking to represent this impact of human beings on this nature and its environment in general (nature and the urban) with which he maintains an ambiguous relationship, he will add another medium - painting - to his photography.

Contrasting singularly with the photograph which represents a reality, the painted motif inserted therein therefore aims to question this ambiguous relationship.

Continuing the process to the end with the frame which represents artificiality, the motif itself is overflowing with it because now it is indeed Man who is the cause of everything, and no longer simply "the measure of everything" (Protagoras).

Reviews from our customers

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