Warming VI, 2023
Romain Liverato  

Photography : color edition, paper, HD print, fine art print · 40 x 60 x 1 cm 15.7 x 23.6 x 0.4 inch

$175 175 $US
Shipping & delivery

Shipped from: France

Delivery to: United States , $ 27

Estimated delivery: Two to three weeks

Free returns within 14 days, full refund

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 20 copies

20 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Signed artwork

Dimensions ( cm • inch )

40 x 60 x 1 cm 15.7 x 23.6 x 0.4 inch Height x Width x Depth

Sold by

Independent artist

Credentials

Vetted seller since 2021

Discount

This seller offers discount when you purchase multiple artworks.

Description
The artist has once again partially transformed one of his photographs by choosing, through editing, to insert a strip of this same landscape passed through a degraded red filter, which signifies the warming which is underway and which reaches absolutely all landscapes whatever they may be.
This work is part of a series of 8 photographs for which each print is printed on Hahnemuehle 308g photorag fine art paper and limited to 20 copies.
Romain Liverato, Warming VI
France  • 1982

Presentation

Photographer for 11 years, whose photographic quest has always been that of the intact landscape. This sought-after intimacy with nature, the landscape is called into question by the omnipresence of mankind in the environment, not only because of its way of life but also of mass tourism.

Seeking to represent this impact of human beings on this nature and its environment in general (nature and the urban) with which he maintains an ambiguous relationship, he will add another medium - painting - to his photography.

Contrasting singularly with the photograph which represents a reality, the painted motif inserted therein therefore aims to question this ambiguous relationship.

Continuing the process to the end with the frame which represents artificiality, the motif itself is overflowing with it because now it is indeed Man who is the cause of everything, and no longer simply "the measure of everything" (Protagoras).

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