Jardin Suspendu, Singapour, 2019
Photography : C-print · 70 x 105 x 1 cm 27.6 x 41.3 x 0.4 inch
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 100
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 5 copies
5 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Dimensions ( cm • inch )
70 x 105 x 1 cm 27.6 x 41.3 x 0.4 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2016 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
The featured work captures Singapore’s iconic Marina Bay Sands in a black and white composition, revealing a modern yet imposing aesthetic. The building rises proudly into the sky, its top skimming the edges of the frame. The photographer skillfully plays with contrasts, highlighting the rigid geometric structures of the three towers that support a huge boat-shaped platform, named the SkyPark. This platform seems to defy the laws of gravity, giving an impression of movement and lightness despite its imposing size. The vegetation on the SkyPark, visible in delicate silhouettes, adds a touch of nature to this engineering masterpiece, and creates a striking contrast with the raw and angular architecture below. The strict vertical lines of the skyscrapers harmoniously combine with the soft and elegant curves of the SkyPark, generating a captivating visual tension. Natural light from the upper right of the frame subtly illuminates the structures, accentuating their shapes and contours while creating deep, dramatic shadows that reinforce the monumental dimension of the building. This photograph does not simply document a famous building; it transcends mere representation to explore themes of urbanism, technology, and the interaction between nature and modern architecture. It is an ambitious work that captures the essence of the connection between art and engineering, while prompting the viewer to ponder the human prowess depicted in this futuristic cityscape.
Presentation
Born in Rwanda on 12 January 1988, Christelle Yambayisa arrived in France in 1996 after fleeing the genocide. It was in 2015, while preparing a thesis in strategy and governance, that she was offered the chance to become a model.
Her passion for photography began at a very early age, and in a way enabled her to put words and feelings to her difficult past. Over the years, she has used photography as a means of expressing her traumas.
Her story and certain experiences have led her to speak out publicly on a number of social and political issues, including the cult of age in modelling, the legal status of models and online hate and racism. These events have also led her to come face to face with genocide.
Ever since she was very young, she has been documenting her life, as a way of creating her own memories. All her early childhood photos were destroyed during the war. Her exhibition La Mode, Les Mondes is the first step the artist has taken towards a personal remembrance of the Rwandan genocide. She wants to encourage people who have lived through the same thing as her to express themselves on the subject in a non-political and non-partisan way.
Her photographs are composed of landscapes, portraits, moments of work and life captured with SLRs and hybrids between 2013 and 2020, and in equal measure with film and hybrid photography up to the present day.
Reviews from our customers
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