La plume, le pinceau, l'aiguille, 2024
Photography : embroidery · 41.5 x 29 x 1 cm 16.3 x 11.4 x 0.4 inch · Ready to hang
€1,800
1 800 €
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 60
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
41.5 x 29 x 1 cm 16.3 x 11.4 x 0.4 inch Height x Width x Depth
Artwork dimensions including frame
43.5 x 31 x 1.5 cm 17.1 x 12.2 x 0.6 inch
Sold by
Art gallery
Credentials
Vetted seller since 2021
Description
This intriguing work skillfully blends the art of language and image to captivate the viewer. Against a backdrop reminiscent of an imposing sky, the words "La plume, le pinceau, l'aiguille" stand out boldly, as if etched in the clouds, illustrating a poetic synthesis of creative tools. The finely detailed cloud texture brings an ethereal dimension, contrasted by the clarity of the inscriptions. The chromatic choices, in golden and copper hues, infuse the whole with a mysterious warmth, while the variable luminosity gives depth and dynamism. The subtle sequence of dots evokes a Braille approach, adding a layer of accessibility and reflection on sensory perception. The work questions the relationship between different means of expression, celebrating literary imagination, pictorial expression and artisanal finesse, in a quest for harmony and universal understanding.
Presentation
Alongside her research in painting, Sophie Lavine, known by her pseudonym SOL, produces textures-"embroideries": plastic manifestations of the mystery of language. The "embroideries" are read on both sides, calling upon the haptic sense, the desire to touch or better: the awakening of the eye's touch. The front and back of the "embroideries" offer a new experience that recalls in music Bach's "counterpoint" project, which sewed two notes edge to edge to create contact sonorities intended to welcome the sensitive note, the one that comes to ring in the ear of the heart. Internal pinching. Sensitive zone. The work of the fine needle crosses the paper, passing through small holes and brings into contact the two sides of the same membrane: the readable-visible world and the illegible-invisible world.
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