EUR ROMA (2), 2025
Photography : fine art print · 64 x 44 x 1 cm 25.2 x 17.3 x 0.4 inch
$406
406 $US
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 42
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 10 copies
9 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
64 x 44 x 1 cm 25.2 x 17.3 x 0.4 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2024
Description
This striking work depicts a classical sculpture in front of the square Colosseum in Rome, an emblem of fascist architectural rationalism. The statue, embodying a heroic rider and his magnificently sculpted horse, evokes the grandeur and power of Roman antiquity. The rider, draped in a toga, raises a triumphant arm in a gesture of victory, symbolizing strength and determination. The building in the background, famous for its symmetrical arches and imposing style, contrasts with the liveliness of the sculpture, creating a remarkable balance between modern architecture and classical art. The slightly golden color of the stone accentuates the solemnity of the whole, adding a subtle warmth and an intriguing visual texture. This composition offers a captivating reflection on the dialogue between Rome's glorious past and its modern architectural expression.
Presentation
Jason Pocklington is a multidisciplinary artist whose work explores the relationship between place, culture, and identity.
Having grown up between several countries and cultures, he developed a lasting fascination with the ways landscapes, histories, and human encounters shape our perception of the world and our sense of belonging within it.
A graduate of the École Boulle in Paris, he designs and builds sculptural furniture pieces inspired by the places that have marked his life. His first two collections, La Garrigue and Tāmaki Makaurau, draw from Southern France and Auckland, New Zealand, translating architectural forms, cultural influences, and personal memories into objects.
Photography has been a constant part of his life since his teenage years. Through travel and immersion in unfamiliar environments, he seeks to document reality with honesty and sensitivity, creating images that explore both the specificity of a place and the experiences that connect people across cultures.
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