Moonrise III, II and I. Triptych From the Series Mares., 2023
Photography : archival pigment print · 109.2 x 274.3 x 0.3 cm 43 x 108 x 0.1 inch
€5,579
5 579 €
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Shipped from: Colombia
Delivery to: Spain , € 279
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 7 copies
7 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
109.2 x 274.3 x 0.3 cm 43 x 108 x 0.1 inch Height x Width x Depth
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Credentials
Vetted seller since 2019 • Top Seller
Description
This striking triptych captures the mesmerizing allure of a moonlit sea. Each of the three panels showcases an enigmatic balance between light and shadow, where the silver moonbeam dances effortlessly across the water's serene surface. The sky, cloaked in rich dark hues, exhibits varied cloud patterns that add depth and intrigue to the composition. The central panel anchors the artwork, with a perfectly poised horizon line creating a sense of infinite calm and continuity. The subtle gradients between panels emphasize the transient nature of light, inviting viewers to contemplate the vast solitude and beauty of nocturnal seascapes. This artwork stands out for its minimalist yet profound representation of nature's ephemeral elegance, making it both captivating and contemplative.
Miguel Winograd's work explores the relationship between people and their environment, narratives of social conflict, and the dense interconnections of the Colombian landscape. His work, which occasionally includes portraits of trees, captures the essence of nature through a documentary lens.
From the series Mares Archival pigment print on fine art paper Overall size: 43 in H x 108 in W Individual Size: 43 in H x 36 in W Edition of 7 + 2AP More Editions & Sizes: Medium: 24 in H x 60 in W. Edition of 7 + 2AP
Presentation
Miguel Winograd is a Colombian photographer. After years of graduate study in Latin American History, he completed the documentary photography program at the International Center of Photography (ICP) in New York. His personal work explores the relationship between people and their environment, narratives of social conflict, and the dense interconnections of the Colombian landscape. Occasionally, he prefers to make portraits of trees. His work has been exhibited in New York, Berlin, Mexico City and Bogotá, and published in different media, including The New York Times and The New Republic.
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