Blade Runner, 2019
Eduardo Rezende  

Photography : archival pigment print · 74.9 x 119.9 x 0.3 cm 29.5 x 47.2 x 0.1 inch

$4,000 4 000 $US
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About the artwork

Type

Photography : numbered and limited to 5 copies

4 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Signed artwork

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Dimensions ( cm • inch )

74.9 x 119.9 x 0.3 cm 29.5 x 47.2 x 0.1 inch Height x Width x Depth

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Description

The Billboard series by photographer Eduardo Rezende unfolds as a visual dialogue between art and urban architecture — a fusion that challenges the monotony of metropolitan life. Known for his ability to extract the graphic and chromatic essence of the city, Rezende transforms building facades into monumental canvases for his photographic interventions. In Billboard, images printed on architectural surfaces merge seamlessly with the geometry, color, and materiality of each structure. These large-scale works do not simply occupy space; they redefine it, creating a tension between the image and its physical support. Beyond aesthetics, the series operates as an anti-advertising manifesto — a counterpoint to the visual noise of contemporary cities. Instead of selling a product, Rezende offers a pause: an invitation to rediscover beauty in the overlooked, to contemplate rather than consume. Each piece interrupts the city's visual routine, transforming façades once dominated by commercial imagery into poetic acts of resistance. Ultimately, Billboard reflects Rezende's pursuit of humanization within the urban landscape. His photographs breathe art and emotion into concrete surfaces, suggesting that cities, too, can dream — that within their density and chaos lies the possibility of renewal, imagination, and silence. 

From The Billboard series Archival pigment print on cotton print on cotton More sizes and editions: 39.3 x 62.9 in. Edition of 2 +1AP

Eduardo Rezende, Blade Runner
Brazil  • 1977

Presentation

Eduardo Rezende, born in Rio de Janeiro in 1977, was introduced to the world of art early in life, influenced by his mother, an art dealer.
He began his professional journey in photography in 2001 and has since developed a distinctive visual language marked by graphic precision, expressive use of color, and a sculptural attention to the textures and forms of the urban environment.
His work centers on the observation of spaces in transformation. Elements that would typically go unnoticed become silent protagonists. Even in the absence of human figures, his images carry traces of time, labor, and matter.
Through his lens, Eduardo elevates the ordinary into visual constructions of striking graphic and chromatic impact. His photographs challenge perception: at times, it is difficult to tell whether what we see is flat or three-dimensional, a photograph or something beyond. They offer a new perspective on the world, inviting the viewer to find beauty and meaning beyond the obvious.
Living between different cultures and geographies, Eduardo brings to his work a nomadic and contemporary gaze-one that sees the world through what is in flux, in ruins, or in the process of being rebuilt. His photography is always searching for what exists in between: between the visible and the veiled, between the surface and the substance, between what was and what is still becoming.

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