Les couleurs du temps (Nancy) (1), Circa 2024
Photography : archival pigment print · 40 x 53.3 x 0.1 cm 15.7 x 21 x 0 inch · Ready to hang
$938
938Â $US
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 128
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
40 x 53.3 x 0.1 cm 15.7 x 21 x 0 inch Height x Width x Depth
Artwork dimensions including frame
43 x 53.4 x 0.3 cm 16.9 x 21 x 0.1 inch
Sold by
Art gallery
Professional art gallery • France
Credentials
Vetted seller since 2019
Discount
This seller offers discount when you purchase multiple artworks.
Description
While preparing his latest film (international title - 2025), which depicts a confrontation between our time and that of the Impressionists, the artist captured impressions of the world around him with his camera.
In his photographs as in his films, Klapisch depicts society with his own unique humor and a profound sensitivity to humanity, its relationship to urban spaces as well as natural landscapes. The filmmaker/photographer immortalizes the ephemeral forms of the city and nature. Through the changing seasons and the characters he encounters in the streets, Klapisch affirms here, more than ever, his keen eye for the colors and transformations of our time.
Presentation
Director, screenwriter and producer Cédric Klapisch is nowadays a reference in French cinema.
In 1995 he directed Le Péril jeune, a cult film that met with both public and critical success. With Chacun cherche son chat and Un Air de famille - César for Best Screenplay - he established his popularity in France.
But it's in the 2000s and with L'Auberge Espagnol, the first part of his trilogy followed by Russian Dolls (Les Poupées russes) and Chinese Puzzle (Casse-tête chinois) that Cédric Klapisch is internationally recognized as a major director of contemporary French cinema.
Passionate about images, the artist has a particular attachment to photography, a real starting point for his films. In 2014, the Galerie Cinéma exhibited for the first time Paris-New-York, a selection of photographs that inspired the film Casse-tête chinois.
In February 2017, Cédric Klapisch returned to the Galerie Cinéma to present Nature humaine, a photographic work around the presence and absence of man in nature, an exhibition also linked to cinema since it concerns location photographs for his film Ce qui nous lie.
From the streets of Paris and New York to the landscapes of Burgundy, we find in the images of the photographer the same gaze of the director who, like the characters of his films, observes the world through windows, always able to capture a certain form of loneliness, and transforming banality into beauty.
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