Le Marquis de Bigoudis présentant son invention, 2022
Olivier Dupont Delestraint  

Photography : archival pigment print · 59 x 48 cm 23.2 x 18.9 inch

$1,318 1 318 $US
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Delivery to: United States , $ 191

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About the artwork

Type

Photography : numbered and limited to 6 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Signed artwork

Dimensions ( cm • inch )

59 x 48 cm 23.2 x 18.9 inch Height x Width x Depth

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Description

Antoine Vestier (1740-1824)

Count Chastellux allowed him to leave Avallon for Paris. Antoine traveled to England and the Netherlands. His talent as a family portraitist was highly regarded. He became a painter to the king in 1786 and spent three years at the Louvre, where he was a neighbor of Jacques-Louis David.

The Marquis de Bigoudis presenting his invention

2022 (1788) – Oil on canvas and hair pixel. A slightly different version is held at the Dijon Museum of Fine Arts. JL David introduced him to the Marquis at the home of Hippolyte Ratteau, their wigmaker. Antoine quickly offered to immortalize him with his invention, which would change the lives of so many people over the next two centuries. The Marquis died on his Breton estate, not far from Pont-l'Abbé. This region now bears his name, but no one remembers it.

Portrait

Pop Art

Art History

Humour

Green

Olivier Dupont Delestraint, Le Marquis de Bigoudis présentant son invention

Presentation

The digital brush and the bold pixel are Olivier Dupont Delestraint's tools for transforming the paintings he photographs during his travels. He then writes the true story of fake paintings created, in their time, by real artists. He teases our fetishistic relationship with masterpieces, challenges the power of the label; he plays on a very contemporary question: what constitutes authority?

Solo Exhibitions

2025 – Lawyer's House, Nantes, Masterpieces

2019 – Carroi des arts, Montlouis-sur-Loire, Cloudy at the end of the day

2018 – Château de Cangé, Saint-Avertin, Jules who?

Series of 16 photomontages acquired by the Indre-et-Loire department and the municipality of Saint-Avertin

2017 – The Flight into Ideas, a book co-published by Éditions de la Triplette infernale and Tschann Libraire, boulevard du Montparnasse in Paris

2016 – La Métisse d'argile Gallery, Saint-Hippolyte, I'm waiting

2014 – Bay Gallery, Arradon, Cheetahs, holiday photographs

2010 – Antireflets Gallery, Nantes

2006 – Urban display networks, Nantes city center, Urban mobility

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