Untitled V and IX. Diptych, 2016

José Sierra  

This artwork is a captivating diptych that juxtaposes human presence with the vibrancy of nature. On the left, a person is partially visible among dense, lush greenery, evoking a sense of harmony with the verdant surroundings. The composition captures the interplay of light and shadow, highlighting the rich textures of the foliage. On the right, an empty wooden chair draped with a striking red cloth contrasts against the wild landscape, suggesting an untold story or an impending return. This red cloth serves as a focal point, drawing attention and adding an element of mystery. The arrangement invites the viewer to ponder the relationship between humanity and the natural world, and the transient impressions we leave behind. The dynamic tension between presence and absence enhances the narrative depth, offering a visually and intellectually stimulating experience.

This work is the result of an artistic residence outside his "study".The artist worked on a different ecosystem, a house of vernacular architecture built in 1913 in the department of Huila, Colombia. It is important to highlight the practice session of watching over and recording each detail of this space to get a correct reading between the aesthetics of the place and the body. Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge traditional norms. His art often merges personal identity with broader cultural commentary, as seen in his notable works like "Anti-Personnel Grids" and "Self-Portrait." Sierra's pieces are a bold fusion of urban art and intimate self-exploration, reflecting his dynamic engagement with contemporary culture. 

From La costilla roja (The red rib) Series. Archival Pigment Print Dimension: Overall size: 15.7 x 47.2 in. Individual Size: 15.7 x 23.6 in. Edition of 10 + 2AP Other sizes: 23.6 x 70.8 in. Edition of 10 + 2AP