The House That Burns Every Day, 2013
Photography : C-print, oil · 28 x 35 x 0.01 cm 11 x 13.8 x 0 inch
$158
158 $US
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Shipped from: France
Delivery to: United States , $ 23
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 100 copies
20 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Dimensions ( cm • inch )
28 x 35 x 0.01 cm 11 x 13.8 x 0 inch Height x Width x Depth
Sold by
Art gallery
Professional art gallery • France
Credentials
Vetted seller since 2019
Discount
This seller offers discount when you purchase multiple artworks.
Description
Marina Gadonneix’s work weaves a complex link between documentary and fiction through photographs of places given over to temporary neglect.
The House That Burns Everyday recalls a fable whose story, in ashes, would no longer reach us. Marina Gadonneix has chosen to haunt a dummy house used by firemen to become familiar with fire and fighting it. In short, a room of fiction. Fire has raged, soon it will flare up again. In this interstice, Gadonneix collects these artificial ruins. From a distance, the spectator can cope with the worst. The worst, in this work, is always yet to come.
Limited edition of 100 copies, including the book (28 x 35 cm - 32 pages) and a signed & numbered print (28 x 35 cm).
The House That Burns Everyday recalls a fable whose story, in ashes, would no longer reach us. Marina Gadonneix has chosen to haunt a dummy house used by firemen to become familiar with fire and fighting it. In short, a room of fiction. Fire has raged, soon it will flare up again. In this interstice, Gadonneix collects these artificial ruins. From a distance, the spectator can cope with the worst. The worst, in this work, is always yet to come.
Limited edition of 100 copies, including the book (28 x 35 cm - 32 pages) and a signed & numbered print (28 x 35 cm).
Presentation
Marina Gadonneix is a french artist graduated from the national school of photography in Arles. Her work weaves a complex link between documentary and fiction through photographs of places given over to temporary neglect. In each of the series , the artist explores the startling transition of a rugged territory to a fantastical image, of a form of evidence of reality to its most metaphorical mental construction.
Marina Gadonneix’s photographs play with the clash of document, simulation and fiction. Deserted places and interiors create a rather disturbing atmosphere in which the line between real objects and fictitious incidents becomes blurred. Her work has appeared in solo shows and group exhibitions in France as well as internationally such as Phillips de Pury (New York), Centre photographique d'ile de France (Pontault Combault), Rencontres internationales de la photographie (Arles), la Box (Bourges), Kunsthalle (Tubingen).In 2006 she was awarded with the Prix HSBC for Photography.
Marina Gadonneix’s photographs play with the clash of document, simulation and fiction. Deserted places and interiors create a rather disturbing atmosphere in which the line between real objects and fictitious incidents becomes blurred. Her work has appeared in solo shows and group exhibitions in France as well as internationally such as Phillips de Pury (New York), Centre photographique d'ile de France (Pontault Combault), Rencontres internationales de la photographie (Arles), la Box (Bourges), Kunsthalle (Tubingen).In 2006 she was awarded with the Prix HSBC for Photography.
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