Phénomènes, Untitled (Volcano eruption #4), 2019
Marina Gadonneix   Emerging artists

Photography : archival pigment print · 29 x 22.4 x 0.2 cm 11.4 x 8.8 x 0.1 inch

$163 163 $US
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About the artwork

Type

Photography : numbered and limited to 33 copies

14 copies available

Condition

Artwork sold in perfect condition, not framed

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Sold with certificate of Authenticity from the gallery

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Signature

Signed artwork

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Dimensions ( cm • inch )

29 x 22.4 x 0.2 cm 11.4 x 8.8 x 0.1 inch Height x Width x Depth

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Description
"Untitled (Volcanic Eruption #4)
Edition of 33 signed and numbered copies

Marina Gadonneix’s practice lies on the crossroads between reality and fiction, with her aesthetic merging landscape photography and scientific, documentary photography. The result gives an impression of a scientific discovery.

Phénomènes originates from Kristan Birkeland’s experiments of the early 20th century, where he reproduced the aurora (polar lights) in laboratory conditions. This experiment inspired Gadonneix to question the artificial reproduction of phenomena that are simultaneously scientific and enigmatic in nature. She imagines the laboratory as a world theatre in this context, uniting within itself universal history and the experience of thought. It becomes a place of exploration and representation for unpredictable phenomena such as tornadoes, black holes and earthquakes; where their elements of chance seem manipulateable, achievable and reproducible by pushing their physics to their limits through the scientists’ conceptualization.

Conceptual

Smoke

Grey

Marina Gadonneix, Phénomènes, Untitled (Volcano eruption #4)
France  • 1977

Presentation

Marina Gadonneix is a french artist graduated from the national school of photography in Arles. Her work weaves a complex link between documentary and fiction through photographs of places given over to temporary neglect. In each of the series , the artist explores the startling transition of a rugged territory to a fantastical image, of a form of evidence of reality to its most metaphorical mental construction.

Marina Gadonneix’s photographs play with the clash of document, simulation and fiction. Deserted places and interiors create a rather disturbing atmosphere in which the line between real objects and fictitious incidents becomes blurred. Her work has appeared in solo shows and group exhibitions in France as well as internationally such as Phillips de Pury (New York), Centre photographique d'ile de France (Pontault Combault), Rencontres internationales de la photographie (Arles), la Box (Bourges), Kunsthalle (Tubingen).In 2006 she was awarded with the Prix HSBC for Photography.

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