Marise. From the Nature series, 2019
Photography : color edition, archival pigment print · 59.9 x 90.2 x 0.3 cm 23.6 x 35.5 x 0.1 inch
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Shipped from: United States
Delivery to: Germany , € 279
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 6 copies
6 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
59.9 x 90.2 x 0.3 cm 23.6 x 35.5 x 0.1 inch Height x Width x Depth
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Credentials
Vetted seller since 2019 • Top Seller
Description
The artwork presents a breathtaking scene rendered with precision and an eye for natural beauty. It depicts an expansive landscape of golden straw bundled into rhythmic, undulating mounds under a sky filled with billowing clouds. The scene evokes a sense of infinite continuity and serene isolation, captured through the meticulous arrangement of the straw heaps that extend to the horizon, creating a mesmerizing pattern that draws the viewer's gaze deeper into the tableau. The focal point of the artwork is the striking juxtaposition of a solitary figure sprawled atop one of the straw mounds. The figure's nude form is splayed languidly, with limbs extended and head turned to one side, seemingly at peace and in harmony with the surrounding environment. The nudity is tastefully rendered, highlighting the natural and unembellished human form against the organic texture of the straw. This bold inclusion of the human element introduces a profound commentary on the interconnectedness between humanity and nature, illustrating a return to the primal state of existence. The artist’s use of soft, natural lighting enhances the textures and contours of the scene, accentuating the warmth of the straw and the subtle hues of the landscape. The vast, open sky, with its dynamic cloud formations, adds depth and dimension, conveying a sense of scale and grandeur. In sum, this artwork is a compelling exploration of natural beauty and human vulnerability. It is a masterful piece that captures the delicate balance between solitude and oneness with nature, inviting viewers to pause and reflect on the serene yet powerful connection between the human spirit and the earth.
Presentation
Born in Bergisch-Gladbach, Germany, Uwe Ommer became fascinated with photography at a young age. Initially sparked by his interest in photographing birds, he received his first camera at age 14 and began experimenting with his limited equipment. By the time Ommer was 18, he had given up on birds, but was improving his skills as a photographer. He began working as an apprentice in a camera shop and soon picked up side projects for local papers, shooting everything from car accidents to weddings, when staff photographers were unavailable.
In 1962, Ommer was awarded the first Deutscher Jugend Photo Preis (German Youth Photo Prize) at Photokina 1962 for his photograph of children playing soccer. The following year, he left for Paris (for only one year to learn French, he insisted) and began working as an assistant to advertising photographer Jean Pierre Ronzel. While Ommer did perfect his French, he never did leave Paris.
In 1966 he opened his own photography studio, primarily shooting fashion and advertising photos for small women's magazines. Quickly gaining respect for his work in Paris, Ommer began showing in local galleries and eventually published his first book.
In 1995, Ommer drastically changed gears and decided to embark on a project unlike anything he had ever done before – a project unlike anything anyone had ever done before. As a personal challenge, he set out the following year to document all types of families on every continent at the turn of the millennium. With a Landrover, Rolleiflex camera, portable studio, one assistant, many maps, many guidebooks Ommer visited 130 countries in the following four years, interviewing and photographing over 1000 families. Taschen published the catalog titled “1000 Families" in 2000 when the photographs were first exhibited to the public in Cologne, Germany in September at Photokina 2000. Since then, the exhibition has toured the world and has received praise for the scope and beauty of the photographs, and their simple message of commonality.
In 2002, Uwe Ommer was awarded an Honorary Fellowship to the Royal Photographic Society for the impact of his lifetime of work.
Reviews from our customers
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