#8. From "La Piedra Sustituta II" Series, 2020
José Sierra  

Photography : color edition, archival pigment print · 101.6 x 58.5 x 0.3 cm 40 x 23.02 x 0.1 inch

$2,000 2 000 $US
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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 10 copies

10 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Not Signed

Dimensions ( cm • inch )

101.6 x 58.5 x 0.3 cm 40 x 23.02 x 0.1 inch Height x Width x Depth

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Description

#8. From "La Piedra Sustituta II" Series

 Image size: 40 in. H x 23.02 in. W Edition of 10 + 2AP Unframed 

Additional sizes are available. 

Small size: 24 in. H x 13.81 in. W Edition of 10 + 2AP

This artwork presents a striking exploration of human vulnerability and raw connection with nature. The central focus is a nude figure entwined with a large, rugged stone, set against a stark pink backdrop. The figure's limp posture and gentle grasp suggest surrender, creating an emotional dialogue between softness and the rock's rough texture. The contrast between the human form and the cold, jagged surface of the stone evokes themes of struggle, endurance, and harmony. The soft, muted pink background accentuates the scene's surreal and contemplative atmosphere. This composition challenges viewers to reflect on the intricate balance between human fragility and the immutable forces of the natural world. The minimalist setting amplifies the intensity of the encounter, inviting an introspective gaze.

"La Piedra Sustituta" Series Showing a body that is hidden is the aesthetic apology for the insane judgment that the artist himself has taken as an excuse for not being "pointed at" or rather as self-pointing. The stone is taken by the body that is unprotected as a metaphor for the weakness that seeks protection, and the body is taken by the stone as a consequence of an insecure state, how can a stone take a body? If this is the one that "institutionally" does it.

Nude

Self-portrait

Human body

Rocks

Model

Latin-American Art

José Sierra, #8. From

José Sierra

Colombia  • 1991

Presentation

Jose Sierra (b. 1991 in Cartagena de Indias, Colombia) obtained his Master in Fine Arts from the University Institute of Fine Arts and Science of Bolivar (UNIBAC) in 2012 with a body of work titled Anti-Personnel Grids, which has since exhibited in different locales of Colombia. Shortly after, he was commissioned by the Colombian Ministry of Culture alongside the artist collective Si Nos Pagan Boys to participate in an urban art exposition titled, La Muerte Se Va de Vacaciones (Death is Going on Vacation) that was executed as a reaction to the traditionalism of Cartagena.

In 2014, he exhibited at the Museum of Contemporary Art of Cartagena and in La Presentacion Casa Museo Arte y Cultura. He then exhibited in the Cultural Center Ciudad Movil in 2016 with a body of work created in collaboration with the Colombian photographer, Camo. In the same year, he was nominated for the International Luxembourg Art Prize for his recent work Self-Portrait. Sierra's ongoing body of work continues to be based around his self-representation from which he addresses a homoerotic gaze through the configuration of abject staged environments that he merges himself within as “a subject of aesthetic creation."

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