#2 From La Piedra Sustituta Series, 2020
Photography : color edition, archival pigment print · 101.6 x 58.1 x 0.3 cm 40 x 22.86 x 0.1 inch
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Shipped from: United States
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 12 copies
2 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Not Signed
Technique & Support
Dimensions ( cm • inch )
101.6 x 58.1 x 0.3 cm 40 x 22.86 x 0.1 inch Height x Width x Depth
Sold by
Credentials
Vetted seller since 2019 • Top Seller
Description
#2From "La Piedra Sustituta" Series Image size: 40 in. H x 22.86 in. W Edition of 10 + 2AP Unframed Additional sizes are available. More Sizes Available: Small size: 24 in. H x 13.71 in. W Edition of 10 + 2AP
This intriguing artwork presents a striking and surreal composition that merges the human form with nature. The central focus is a large, rugged rock, atop which a human figure is contorted in a seemingly effortless manner. The figure, nude and anonymous, is partially obscured, creating an enigmatic presence that draws the viewer in. The texture of the rock is captured with meticulous detail, its rough surface contrasting sharply with the smoothness of human skin. This juxtaposition emphasizes themes of strength and vulnerability, permanence and transience, as the organic softness of the human body melds with the stoic solidity of the stone. The positioning of the figure—legs draped and intertwined with the rock—suggests a harmonious, almost symbiotic relationship between man and nature. The muted background accentuates the drama of the scene, ensuring that the viewer's focus remains on the unusual and thought-provoking interaction between the elements. Overall, this artwork challenges perceptions of identity and existence, inviting contemplation of humanity's connection to the natural world. It is a powerful reminder of the intrinsic link between human life and the earth, captured in a moment of quiet yet profound intimacy.
Presentation
Jose Sierra (b. 1991 in Cartagena de Indias, Colombia) obtained his Master in Fine Arts from the University Institute of Fine Arts and Science of Bolivar (UNIBAC) in 2012 with a body of work titled Anti-Personnel Grids, which has since exhibited in different locales of Colombia. Shortly after, he was commissioned by the Colombian Ministry of Culture alongside the artist collective Si Nos Pagan Boys to participate in an urban art exposition titled, La Muerte Se Va de Vacaciones (Death is Going on Vacation) that was executed as a reaction to the traditionalism of Cartagena.
In 2014, he exhibited at the Museum of Contemporary Art of Cartagena and in La Presentacion Casa Museo Arte y Cultura. He then exhibited in the Cultural Center Ciudad Movil in 2016 with a body of work created in collaboration with the Colombian photographer, Camo. In the same year, he was nominated for the International Luxembourg Art Prize for his recent work Self-Portrait. Sierra's ongoing body of work continues to be based around his self-representation from which he addresses a homoerotic gaze through the configuration of abject staged environments that he merges himself within as “a subject of aesthetic creation."
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