The World - Hard to Predict What it will do, 2020
Print : Screen Print · 75 x 55 cm 29.5 x 21.7 inch
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Shipped from: Germany
Delivery to: Germany , € 42
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 125 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
75 x 55 cm 29.5 x 21.7 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2014 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
This artwork presents a bold, minimalist depiction of a basketball, symbolizing unpredictability and complexity. The artist uses a striking orange background for the ball, intersected by thick black lines, capturing the essence of motion and anticipation inherent in basketball. Surrounding the central image, text in red block letters declares, "THE WORLD HARD TO PREDICT WHAT IT WILL DO," infusing the piece with philosophical depth. This statement elevates the basketball from a mere sports object to a metaphor for life's uncertainties. The juxtaposition of playful imagery with introspective text invites viewers to reflect on the unpredictable nature of existence. The simplicity of the design, combined with powerful messaging, makes the artwork both visually appealing and thought-provoking, urging a reconsideration of familiar objects as vessels of deeper meaning.
SOLD OUT AT THE ARTIST STUDIO - ONE COPY LEFT WITH US.
Presentation
David Shrigley, born on September 17, 1968, in Macclesfield, is a British visual artist known for his distinctive graphic style and absurdist humor. A graduate in Environmental Art from the Glasgow School of Art in 1991, he lived in Glasgow for 27 years before relocating to Brighton and Devon in 2015.
His work, characterized by intentionally naïve line drawings accompanied by ironic text, offers a sharp and humorous commentary on the absurdities of everyday life. Although drawing is central to his practice, Shrigley also works with sculpture, animation, photography, music, and installations. Among his notable projects are the monumental sculpture Really Good (2016), installed on the Fourth Plinth in Trafalgar Square, London, and the exhibition Pulped Fiction (2023), in which he pulped 6,000 copies of The Da Vinci Code to reprint George Orwell's 1984.
Shrigley was nominated for the Turner Prize in 2013 and was appointed Officer of the Order of the British Empire (OBE) in 2020 for his services to visual arts. He also received an honorary doctorate from De Montfort University in 2014. His work has been exhibited in prestigious institutions such as the Hayward Gallery in London (Brain Activity, 2012), the National Gallery of Victoria in Melbourne (Life and Life Drawing, 2014), and the Rose Art Museum in the United States (Life Model II, 2016).
Dedicated to promoting arts education, Shrigley unveiled a giant animatronic praying mantis sculpture, Mantis Muse, at his former school in Oadby in 2024 to highlight the importance of including the arts in school curricula. He advocates for transforming the STEM acronym into STEAM, incorporating the arts alongside science, technology, engineering, and mathematics.
His publications include Worried Noodles, a collection of texts set to music by various artists, and What the Hell Are You Doing?, a compilation of his most iconic works. Shrigley continues to shape contemporary art with his unique approach, blending dark humor and social critique.
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