Bronze Sculpture for Sale
Figures in grief (print), 2024
Print : ink, pigment ink, inkjet, paper, fine art print · 30 x 20 cm 11.8 x 7.9 inch
€120
120 €
Shipping & delivery
Shipped from: Israel
Delivery to: France , € 18
Estimated delivery: Two to three weeks
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the artist
Invoice from the artist Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 5 copies
5 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Technique & Support
ink, pigment ink, inkjet, paper, fine art print on paper
Dimensions ( cm • inch )
30 x 20 cm 11.8 x 7.9 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2023
Description
This print was produced from a graphite&black chalk drawing on brown Kraft paper. It is possible to view the drawing itself upon request.
The images together with other prints are studies for future compositions in clay and bronze.
The original image was scanned and printed with black toner ink on cotton rag paper.
The printed image was then reworked with sepia, black chalk and pen&ink in various parts of the piece.
Inkjet print on cotton rag paper.
Sepia, pen&ink and black chalk.
Limited first edition of 5 copies.
There will no further editions of this work produced via the this printing method.
This edition is 1/5
It's possible to receive the work framed and ready to hang.
Please contact for an accurate shipping quote or for any other inquiry.
Presentation
Ohad Ben-Ayala, b.1981 .
Lives and works in his studio in Tel-Aviv.
The sculptures presented on this profile reflect a decade of exploring bronze and other non ferrous metals as sculptural materials.
All of the works shown here at the moment were roughed out and modeled first (from nature or an invention) using another material – mostly water based clay or soft bee-wax.
Either way, more than one aspect of each work was always left unfinished, so it could be later resolved in the final metal it was cast in, and thus giving the metal more meaning than just a casting material.
This method was meant to find some middle way between the desire to create a single, unique and individual art piece – and at the same time develop multiple other versions, with all the possibilities offered by casting and re-casting each sculpture in different materials.
Traditional methods of chasing and repousse were combined with electric and pneumatic grinding, polishing, welding and soldering.
Various bronze alloys, aluminum and sometimes brass were cast using both sand casting and lost wax casting methods. With the founder's role limited to pouring the molten metal - Each sculpture is resolved and finished by the artist's own hands.
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