Figure crouching forward, 2024
Print : ink, charcoal, inkjet, paper, fine art print · 26 x 20 cm 10.2 x 7.9 inch
€145
145 €
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Shipped from: Israel
Delivery to: Germany , € 18
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 5 copies
5 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
26 x 20 cm 10.2 x 7.9 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2023
Description
This evocative artwork is a masterful charcoal sketch depicting a solitary figure captured in a moment of introspection. The subject, rendered in a crouched pose, suggests vulnerability yet conveys a palpable strength. The artist uses bold, decisive strokes to create a textured background, providing depth and context to the figure's enigmatic posture. The play of light and shadow is meticulously executed, accentuating the musculature and contours of the body, while the subtle gradations suggest a source of light from the front left. The choice of charcoal as a medium adds a raw, organic quality to the piece, its smudged lines and varying intensities invoking a sense of both movement and stillness. The figure's intent gaze fixed upon the ground implies a search for meaning or a moment of profound contemplation. This nuanced portrayal of physical form and emotion renders the artwork both compelling and timeless. What distinguishes this piece is its ability to evoke emotion through minimalistic yet expressive detail. The surrounding negative space amplifies the isolation and intimacy of the scene, inviting viewers to reflect on their own experiences of solitude and self-discovery. This artwork is a testament to the power of simplicity in capturing the complexity of the human condition.
Presentation
Ohad Ben-Ayala, b.1981 .
Lives and works in his studio in Tel-Aviv.
The sculptures presented on this profile reflect a decade of exploring bronze and other non ferrous metals as sculptural materials.
All of the works shown here at the moment were roughed out and modeled first (from nature or an invention) using another material – mostly water based clay or soft bee-wax.
Either way, more than one aspect of each work was always left unfinished, so it could be later resolved in the final metal it was cast in, and thus giving the metal more meaning than just a casting material.
This method was meant to find some middle way between the desire to create a single, unique and individual art piece – and at the same time develop multiple other versions, with all the possibilities offered by casting and re-casting each sculpture in different materials.
Traditional methods of chasing and repousse were combined with electric and pneumatic grinding, polishing, welding and soldering.
Various bronze alloys, aluminum and sometimes brass were cast using both sand casting and lost wax casting methods. With the founder's role limited to pouring the molten metal - Each sculpture is resolved and finished by the artist's own hands.
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