David Hockney Serinade Etching Edition of 200 From The Blue Guitar Series, 1977
Print : etching · 54.125 x 47.25 x 1 cm 21.3 x 18.6 x 0.4 inch
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About the artwork
Type
Print : numbered and limited to 200 copies
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
54.125 x 47.25 x 1 cm 21.3 x 18.6 x 0.4 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
Artist: David Hockney
Title: "The Buzzing of the Blue Guitar" (from The Blue Guitar Series)
Year: 1977
Medium: Etching with Aquatint on Inveresk Mould-Made Paper
Sheet Size: 21.65" x 18.9"
Plate Size: 16.75" x 13.5"
Edition Size: 200 Numbered, 35 Artists Proof (XXXV)
Edition Number: 80/200
Inscription: Signed "David Hockney"
Documentation: Includes Gallery Certificate of Authenticity
David Hockney's "The Buzzing of the Blue Guitar" is a standout work from his 1977 portfolio The Blue Guitar, a series of 20 etchings inspired by Wallace Stevens's poem The Man with the Blue Guitar (1937). Stevens's poem, itself a reflection on Picasso's The Old Guitarist, explores themes of artistic transformation and the tension between reality and imagination—concepts that Hockney renders visually through complex structures, shifting perspectives, and layered imagery.
Rather than directly illustrating the poem, Hockney interprets its philosophical underpinnings, creating "pictures within pictures" that fuse art historical references with personal iconography. The works reflect on the act of art-making itself, often suggesting the interplay between perception and invention. The Blue Guitar series also marked Hockney's first major exploration of color etching, a technique he learned from master printer Aldo Crommelynck, who had previously worked with Picasso.
Published by Petersburg Press, The Blue Guitar series is held in the permanent collections of major institutions, including the Museum of Modern Art and the National Gallery of Art. This impression of Serenade is from the numbered edition of 200, with an additional 35 artist's proofs. It is hand-signed and numbered in pencil on the lower front margin as 80/200. The purchase includes a certificate of authenticity from Modern Artifact.
Please note that digital renderings and photographs may feature frames, plinths, or other display staging for illustrative purposes only. Unless explicitly stated otherwise, artwork is sold unframed and without display fixtures. To inquire about framing options, custom display cases, or additional specifications, please contact us directly.
Presentation
Born in 1937 in Bradford, David Hockney has established himself as one of the greatest painters of the Twentieth Century and a pioneer of digital art.
In 2025, the Fondation Louis Vuitton in Paris presents David Hockney 25, the most extensive retrospective ever dedicated to the British artist. Running from April 9 to August 31, the exhibition showcases over 400 works spanning seven decades, including iconic pieces like A Bigger Splash and Portrait of an Artist (Pool with Two Figures), as well as recent digital creations and immersive installations. Hockney personally curated the exhibition, offering visitors an unparalleled insight into his evolving artistic journey.
Passionate about the English countryside, David Hockey dedicated his first works to Yorkshire, where he grew up, away from hectic London. In 1960 he joined the Royal Academy of Arts in London, and made a name for himself at an exhibition in London dedicated to young British contemporary artists.
From figurative pop art to new realism, David Hockey does not claim to belong to any movement in particular, and the richness of his range of works confirms his famous statement "I paint what I want, when I want, where I want".
Against the current of contemporary movements, Hockney stands out for his ultramodern techniques and his bright colored palette. His art dealer John Kasmin describes him as an insolent artist, a great observer with incredible technical mastery of space, volume and light, combined with an obvious pleasure for narrative. "Flight Into Italy - Swiss landscape", is the story of a road trip with friends; "A Man Thinking", with clouds of thoughts, the title "We Two Boys Together Clinging" speaks for itself... What characterizes his work is the link between painting and writing and the interplay between color painted with the most diverse techniques and the roughness of the canvas.
From the mid-1960's, his painting became more realistic and proclaimed the pleasure of living, both in homosexual circles and in Californian society. Also, when he moved there in 1978, his friend Warhol encouraged him to make his famous series of swimming pools, "Pools", the most famous of which, "A Bigger Splash" has been shown at the Tate Gallery in London since 1981. Hockney's work immerses us in the Californian atmosphere whose visions we know: clear blue skies, palm trees, modern houses, summer colours and pastel blue pools.
Hockney also works with Polaroid photography by capturing and assembling different perspectives of a landscapes in order to increase the spatial effect. Loving above all handmade images, Hockey painted some of his shots again, thus creating ambiguity in his photocollages. His first major photocollage project "The Bigger Grand Canyon" was released in 1998 and depicts the immensity of this natural site on 60 different canvases.
From the digitisation of the image to that of photography, David Hockney is a very versatile artist who likes using a variety of artistic supports. He is also one of the first to create paintings on iPads and iPhones and still asserts that he wants to train himself in new artistic techniques.
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