Untitled, Circa 1950
Print : lithography · 50 x 71 x 0.2 cm 19.7 x 28 x 0.1 inch
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Shipped from: Georgia
Delivery to: Germany , € 132
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Verified Reviews : 9.6/10
About the artwork
Type
Print : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Not Signed
Technique & Support
lithography on paper
Dimensions ( cm • inch )
50 x 71 x 0.2 cm 19.7 x 28 x 0.1 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015
Discount
This seller offers discount when you purchase multiple artworks.
Description
This recto verso book cover 50 x 71 x 0,2 cm - 19,6 x 27,5 x 0,07 in is a highly successful example of Joan Miró's mature graphic language. It distills many of the qualities that made his late work so distinctive: spontaneity, expressive brushwork, and a poetic use of signs. It has been extracted from a Folio book related to lithography's book in 50's.
Joan Miró (1893–1983) was one of the most influential artists of the 20th century. A Catalan painter, sculptor, ceramicist, and printmaker, he developed a highly personal visual language that combined abstraction, symbolism, and poetic imagination. Born in Barcelona in 1893, Miró initially studied business before dedicating himself to art. His early paintings were rooted in Catalan landscapes and rural life, but after moving to Paris in the 1920s, he became associated with the Surrealists. Although he never formally joined the movement, his dreamlike imagery and spontaneous forms made him one of its leading figures. His mature style is instantly recognizable.
This 1950 lithography captures the essence of a master of the avant-garde. The composition breathes with a profound sense of spontaneity. Black ink lines dance across the left side of the page. They form skeletal figures and cryptic symbols. These marks suggest a private language. They evoke the dreamlike imagery of Surrealism. A bold contrast emerges on the right. A large organic shape in vibrant red dominates the space. Its saturated hue creates a powerful visual anchor. The balance between the delicate calligraphy and the heavy color block is precise. This artwork reflects a lifelong pursuit of total artistic freedom. It strips away the unnecessary to reveal a pure emotional core. The white void of the paper acts as an active participant in the scene. It provides a silent stage for the interaction of form and pigment. Every stroke feels intentional yet effortless. The result is a poetic dialogue between geometry and abstraction. A single blue dot lingers on the periphery. This small detail adds a final touch of lyrical mystery to the composition.
Presentation
Joan Miró (1893–1983) was a revolutionary Catalan painter, sculptor, and ceramicist whose bold, surreal, and symbolic style redefined 20th-century art. Born in Barcelona, he developed a unique artistic language that blended abstract forms, vibrant colors, and dreamlike imagery. His work, spanning painting, sculpture, engraving, and ceramics, continues to inspire contemporary artists and collectors worldwide.
From an early age, Miró was immersed in creativity. His father, a jeweler, and his mother, a cabinetmaker, introduced him to the world of craftsmanship. Initially pushed toward a business career, he studied commerce before abandoning it to pursue his true passion—art. By 1912, he was fully dedicated to painting, training at the Llotja Fine Arts School and later at the Galli Academy in Barcelona. Influenced by Fauvism, Cubism, and Expressionism, Miró's early works reflected these modern movements while maintaining a strong connection to his Catalan roots.
In 1919, Miró moved to Paris, where he became a key figure in the avant-garde scene. He connected with leading Surrealist artists and poets, including André Breton, Paul Éluard, and Tristan Tzara, and developed his distinctive style—rejecting conventional techniques in favor of spontaneity and abstraction. His breakthrough came in 1925 with the "Surrealist Painting" exhibition at Galerie Pierre, where he unveiled Carnaval d'Arlequin, a masterpiece of vibrant, surreal symbolism. That same year, he created The Birth of the World, a landmark work that merged his Catalan heritage with his Parisian influences.
Though deeply associated with Surrealism, Miró sought total artistic freedom. By the late 1920s, as political tensions grew within the movement, he distanced himself to explore new techniques. Throughout the 1930s and beyond, he experimented with collage, monumental sculpture, and ceramics, continuously pushing artistic boundaries. His large-scale murals, such as those created for UNESCO's headquarters in 1958, and his celebrated Blue I, II, III triptych (1961) cemented his status as a modern master.
Today, Joan Miró's legacy endures through his influence on abstract expressionism and contemporary art. His works are housed in major institutions worldwide, including the Fundació Joan Miró in Barcelona, MoMA in New York, and the Tate Modern in London. Collectors and art lovers continue to admire his pioneering vision, making him one of the most celebrated and influential artists of the 20th century.
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