Tour Eiffel et le Manège, 2026
Print : digigraphy · 75 x 50 x 2 cm 29.5 x 19.7 x 0.8 inch · Ready to hang
$234
234 $US
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 40
Estimated delivery: Less than one week
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the gallery
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 30 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
digigraphy on canvas
Dimensions ( cm • inch )
75 x 50 x 2 cm 29.5 x 19.7 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2016 • Top Seller
Description
A striking urban vision where emblematic architecture meets the energy of street art.
The capital's most famous monument is transformed here into a graphic support.
The artist appropriates the landscape to inject codes from comics and pop culture.
The visual treatment simulates virtual vandalism, covering the metal and wood with complex lettering and graffiti.
The plunging perspective accentuates the verticality of the scene and guides the gaze towards the sky.
In the foreground, a traditional carousel becomes a dynamic compositional element.
The contrast between the rigor of iron and the freedom of the line creates a modern and offbeat dialogue.
This composition plays on saturation and superposition to redefine public space.
Realized in 2026, this digigraph captures the essence of a city in perpetual motion.
The image stands out for its technical precision and its subversive approach to the architectural landscape.
Presentation
Maxime Blachère is an atypical artist from Savoy, now living near Lyon and present in 25 countries and several art galleries in Europe and the US. Maxime Blachère's universe is filled with humor and saturated colors.
Self-taught and versatile, his sources of inspiration are multiple. Comics, pop culture, photography and of course Street-art.In phase with the Fluxus movement, he uses and mixes the codes of the environments that inspires him and of the artists he meets to give free rein to his imagination and deliver offbeat works, sometimes naive, sometimes subversive, like his series of works "Vandal is color" where Maxime takes pleasure in virtually vandalizing urban landscapes around the world.
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