Muraille de Chine, 2026
Print : digigraphy · 30 x 45 x 2 cm 11.8 x 17.7 x 0.8 inch · Ready to hang
€60
60 €
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 7
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 30 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
digigraphy on canvas
Dimensions ( cm • inch )
30 x 45 x 2 cm 11.8 x 17.7 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2016 • Top Seller
Description
The gaze ventures onto a path of ancestral stones. The sky is tinged with rosy and violet hues. This architectural landscape becomes the playground of limitless imagination.
The artist detours here the solemnity of a historical monument. He injects the codes of street art with digital precision. Colorful graffiti saturates the stone walls. The lettering intertwines in an organized chaos.
A hooded character, an orange and graphic silhouette, seems to be watching this transformed place. The approach is playful. It questions the relationship between heritage and urban culture.
This digigraph plays on the contrast between the rigidity of the stone and the fluidity of virtual spray cans. The visual rendering favors saturated tones. The whole creates a dialogue between tradition and modernity.
This creation dates from 2026. It is part of a démarche of imaginary vandalism where color prevails over conservation. The detail of the cobblestones guides the eye towards the horizon.
Presentation
Maxime Blachère is an atypical artist from Savoy, now living near Lyon and present in 25 countries and several art galleries in Europe and the US. Maxime Blachère's universe is filled with humor and saturated colors.
Self-taught and versatile, his sources of inspiration are multiple. Comics, pop culture, photography and of course Street-art.In phase with the Fluxus movement, he uses and mixes the codes of the environments that inspires him and of the artists he meets to give free rein to his imagination and deliver offbeat works, sometimes naive, sometimes subversive, like his series of works "Vandal is color" where Maxime takes pleasure in virtually vandalizing urban landscapes around the world.
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