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Bernard Pras Clint Eastwood, 2016

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$USD 1,257

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The artwork is available for pickup from the gallery in LILLE, France


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About the seller
L'INCARTADE

LILLE, France

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Bernard Pras, Clint Eastwood
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About the work
  • Medium

    Print : digigraphy

  • Dimensions cm | inch

    31.5 x 23.6 inch

  • Support

    Print on fine art paper

  • Framing

    Not framed

  • Type

    Numbered and limited to 40 copies
    1 remaining copy

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Hand-signed by artist

  • About the artwork

    Artwork sold in perfect condition

    3D installation of objects always related to the subject presented which from a certain angle of view will represent the character in 2D Exceptional studio work by the artist; There is a 1st print on large format 8 ex photo paper. After the sale of these 8 ex. edition of 40 ex format 80/60.
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Delivery
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Origin: France
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Bernard Pras

France Born in: 1952 Bestsellers Masterpieces

Having spent part of his childhood in his grand-mother's grocery store, he has developed a strong and privileged relationship with objects and inventories of all sorts. At the crossing of pop art and performance, in-between figuration and ?dis-figuration?, Bernard Pras?s work doesn't leave any viewer indifferent?

A graduate of the Ecole des Beaux-Arts in Toulouse in 1974, Bernard Pras is a virtuoso of the anamorphosis and of the juxtaposition of eclectic objects, carefully chosen to be in resonance with his subjects; he creates an image that is comprehensible from a single, pre-defined point of view. this is the art of the secret perspective that Dürer was talking about?

Christian-Louis Eclimont says of the artist:

"An athlete of the optical effect, Pras moves between the infinitely composite and the infinitely composed, using his eye as a camera that captures the patterns while they are being projected.?"

Giving up his paintbrushes and painting for the hand, the object and a camera, he has been appropriating images of art history and contemporary society since 1998. The color and the stroke become object and the composition - an installation punctuated by dozens of images. Without photography, the installations would remain the privilege of a few, unique spectators of this metamorphosis during which the act of recycling becomes art.

Without this final moment that is the last picture taken, marked by a luminous flash, when the artist transforms the three dimensions in only two for the greatest pleasure of our eyes, Bernard Pras?s work could not exist.

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