Bronze Sculpture for Sale
Equilibrium, 2026
Sculpture : ceramic, terracotta · 42 x 58 x 20 cm 16.5 x 22.8 x 7.9 inch
$2,181
2 181 $US
One of the last works available by this artist
Shipping & delivery
Shipped from: Italy
Delivery to: United States , $ 253
Estimated delivery: Two to three weeks
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the artist
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Verified Reviews : 9.6/10
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About the artwork
Type
Sculpture : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Not Signed
Technique & Support
ceramic , terracotta with metal pedestal
Dimensions ( cm • inch )
42 x 58 x 20 cm 16.5 x 22.8 x 7.9 inch Height x Width x Depth
Dimensions of pedestal:
2 x 10 x 30 cm 0.8 x 3.9 x 11.8 inch
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
Modeled, partially majolica-glazed terracotta
In a precarious balance, supported by a single hand and one foot, the figure seems to float in space, transforming the weight of the body into a dance. Emschermann does not merely depict an acrobatic feat, but rather trust, courage, and the ability to surrender to movement—qualities that belong as much to childhood as to adult life.
The material, carved and reassembled with structural precision, retains the energy of the modeled gesture, while the majolica glazing, with its red and green reflections, brings a vivid, pulsating light to the surface.
Presented at the Municipal Historical Archive of Palermo as part of the exhibition , the work portrays play as an experience of growth, connection, and the continuous search for inner balance.
The work was published in the catalogue , edited by Marco Cocciola and published by Ex Libris.
Presentation
Martin Emschermann was born in Freiburg, Germany, in 1969. In 1990, he moved to Italy, first to Perugia, where he studied at the University for Foreigners, and later to Carrara, where he attended the Academy of Fine Arts, graduating in Sculpture.
From the beginning of his career, Emschermann developed a practice deeply connected to the human figure and the human condition, experimenting with different materials including terracotta, bronze and stone. During his early years, he focused particularly on the theme of the horse and rider, before gradually turning his attention to urban graffiti, children's drawings, psychological experience and lives lived on the margins of society.
He took part in numerous solo and group exhibitions in Italy and Germany, as well as international sculpture symposia, including the first International Symposium of Elba and the International Symposium of Sculpture in Sendai, Japan.
In 1997, Emschermann moved to Palermo, where he still lives and works. His relationship with the city and its cultural environment gradually became a central element of his artistic research. Urban life, popular culture, spirituality and human experience enter his sculptural universe, contributing to a distinctive language in which matter, gesture and psychology converge.
His production ranges from monumental sculpture to small-scale terracotta works, from bronze to maiolica terracotta, as well as experiments with blown glass. His figures are often characterised by a strong sense of movement and an acute sensitivity to gesture. His work explores themes including play, childhood, the relationship between humans and animals, mythology and the sacred. Through modelling, carving and recomposition, the artist transforms matter into a kind of architecture of the body, where weight, space and tension contribute to the construction of the image.
Alongside his personal artistic research, Emschermann has undertaken important public and religious commissions, creating liturgical works and furnishings for several churches in Sicily. He is also the author of the bronze portrait of the Verist writer Emmanuele Navarro della Miraglia, installed in Sambuca di Sicilia, and the monumental portrait of Pope John Paul II in maiolica terracotta for the Cathedral of Caltanissetta. His works are held in public and private collections in Italy and abroad.
2026 marks a particularly significant moment in Emschermann's career. In Palermo, his sculptures were presented in the solo exhibition , hosted by the Palermo Municipal Historical Archive, where his exploration of play, childhood and the human condition was presented through a selection of works. In the same year, Emschermann took part in the 2026 Venice Biennale of Art, as part of Equatorial Guinea's participation in , with the sculptural group ().
Today, Emschermann's work is distinguished by a figurative, expressive and deeply contemporary sculptural language, in which the tradition of form meets a continuous investigation into the human being, his psychological dimension, and the relationship between body, matter and environment.
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