ST, Circa 2023
Luis Maraver  

Fine Art Drawings : acrylic, charcoal · 150 x 70 x 3 cm 59.1 x 27.6 x 1.2 inch · Ready to hang

€3,500 3 500 €

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Shipped from: Spain

Delivery to: France , € 175

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

150 x 70 x 3 cm 59.1 x 27.6 x 1.2 inch Height x Width x Depth

Artwork dimensions including frame

155 x 75 x 8 cm 61 x 29.5 x 3.1 inch

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Credentials

Vetted seller since 2022

Discount

This seller offers discount when you purchase multiple artworks.

Description

This captivating painting by a contemporary Spanish artist presents a striking and meditative composition. A slender green rod rises from a simple white bowl containing still water. At the top of the rod sprouts a dense network of branches in an intricate tangle, evoking a complex organic web. The apparent fragility of the rod contrasts with the chaotic vitality of the foliage, symbolizing a dichotomy between stability and disorder. The soft shadows and neutral background underscore the centrality of the object, intensifying its enigmatic presence. This work challenges traditional perceptions of nature and simplicity, prompting reflection on balance and transformation. The precision in the texture and detail of the foliage demonstrates the artist's technical mastery, making this piece a fascinating visual exploration of contrast and harmony.

Floral

Conceptual

figurative

Aesthetics

Neo-surrealism

Symbols

Trees

Black

Grey

Luis Maraver, ST

Luis Maraver

Spain  • 1957

Presentation

Luis Maraver is a Spanish contemporary artist whose practice is grounded in a sustained exploration of material, surface, and the temporal dimension of painting. His work is characterized by a process-driven approach in which pigments, binders, and often natural or mineral elements are layered, altered, and reworked over time.

Rather than treating painting as a purely representational medium, Maraver approaches it as a site of transformation. Its compositions frequently emerge through accumulation and erosion, where forms are not immediately given but gradually revealed through successive interventions. This method results in surfaces that retain visible traces of their own making, allowing the viewer to perceive time as an active component within the work.

His visual language operates between abstraction and figuration. While certain works may evoke landscapes, architectural fragments, or symbolic motifs, these references remain embedded within the material structure of the painting rather than explicitly defined. The image is therefore not imposed but discovered through process.

A defining aspect of Maraver's practice is his use of raw and often unconventional materials, which contribute to the density and physical presence of the surface. This emphasis on matter aligns his work with broader post-war painterly traditions that prioritize gesture, substance, and the autonomy of the medium.

Maraver's work has been presented in galleries and exhibitions in Spain and internationally, where it has been noted for its restrained palette, material depth, and the tension it maintains between formation and dissolution.

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