White

In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?

Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.

In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.

With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.

Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.

Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!

Search by Image

Save your search and find it in your favorites

14/19 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19

Categories

Subcategories

White

Dripping

Bunny

Under The Full Moon #2

Feathered Diva

Burlesque Muse

Vue nocturne d'atelier

Liberty

Féminité

Sans titre

Mimicry

July. Drawings From the covid diaries series

Cuerpo Humano. From the Anatomy series

Illusion

Semeuse de foudre 2/8

Celestial

In between waves

Ceramic figurative sculpture Candle Flame

A different point of view I

CRA02 - Series from Crave

Under The Full Moon

Lesbos

N°22008 L’emprise Hommes - Taureaux XXVII

Morning

Luces y sombras

L'arrivée des rois mages

Just an Illusion

Nude No. 80

Femme sur Rouge

La Palme d’Or

Selfish Love

Family

Intermission

Wura (Gold)

Darkness

Quiet Exposure

Nacimiento (Naissance)

Reach Out (Wood)

Diptych: Burlesque Muses

Schlafzimmer 4

Le jardin des sens

Stellar Object

Untitled Women and man

“Self-discovery is a dance between the known and the unknown”

Nous ne sommes pas les derniers

Secret Game

Vanité

La Reveuse

Paruyr Sevak- Echoes of memory

L'homme est en mère

Steps of civilisation

DOMINO

Triptych: Under The Full Moon

Divina

Untitled (53)

Madame #2 (Giclée Print)

A Whisper of Peace

Figure Sketch No. 12

Figure Sketch No. 11

Figure Sketch No. 10

Figure Sketch No. 9

Sculpture Paola

Venus de Mile

Encore un jour sans que Louis n'utilise le théorème de Pythagore

Nue assise sur chaise

Marianne à la Rose 1/8

Pure Line