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Figura, 1976 The image expresses itself!!, 1976
Paolo Ambrosio  

Fine Art Drawings : Watercolour, pencil, ink · 50 x 35 x 0.1 cm 19.7 x 13.8 x 0 inch

$105 105 $US
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Verified Reviews : 9.6/10
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About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

50 x 35 x 0.1 cm 19.7 x 13.8 x 0 inch Height x Width x Depth

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Credentials

Vetted seller since 2022

Description
In his essay “L'io dell'IMMAGINE” Albatros editor Rome; Ambrosio gave the image the faculty of speech. No longer object but subject. So in the images below there is a caption of the individual character.

The image expresses itself:
in me image the sign represents the essential and externalizes the consciousness of the character

The creative act is also made of improvisation which emerges from the activity of the hand. From the movement of the hand the result is dynamic.
The lines overlap in an infinite operation. IMAGE-ART is an artistic practice that has been using the eye's ability to manage GESTURE since the 1970s. Ambrosio shows the GESTURE on the traces of the movement of the hand where an expressive form emerges, a SIGN that gives freedom to the GESTURE. In practice, the Gesture ignites resources and makes it possible to transpose all the hopes of our desire.

In automatic drawing (performed by looking at the subject and not at the pencil) the inspiration-occasion relationship is no longer important but that of exercise-occasion because it connects to something already intuited but not completely thought out and realized.
DESTOCKAGE 50 EURO

Abstract

Silhouette

Paolo Ambrosio, Figura, 1976   The image expresses itself!!
Italy  • 1938

Presentation

Ambrosio Paolo, after years of preparation, he moved towards painting with a fundamental gestural attitude and developed his own method which took advantage of the immediacy of the gesture-sign of IMAGE-ART.

In the canvas, as in a "court of words", the gesture activates the vibrations that bring into the world a reality suspended in time. The gesture draws its reality, penetrates its secrets and becomes aware of an underlying labyrinth. These gestures do not have in themselves the ambiguity of the gesture since they free themselves, in the dynamics of the work, from the traces of the movement of the hand.

IMAGE-ART is an artistic practice that has used the eye's ability to manage GESTURE since the 1970s. Ambrosio follows GESTURE in the footsteps of the hand movement where an expressive form emerges, a SIGN that gives freedom to GESTURE. In practice, GESTURE activates resources and allows the value of the SIGN to be transposed into the work.

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