Self-Portrait #4, 2017
Photography : acrylic, paper, mixed media · 44 x 30 cm 17.3 x 11.8 inch · Ready to hang
$1,802
1 802 $US
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 104
Estimated delivery: Less than one week
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the gallery
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Technique & Support
acrylic , paper , mixed media on paper
Dimensions ( cm • inch )
44 x 30 cm 17.3 x 11.8 inch Height x Width x Depth
Artwork dimensions including frame
60 x 45 cm 23.6 x 17.7 inch
Sold by
Art gallery
Professional art gallery • France
Credentials
Vetted seller since 2015
Discount
This seller offers discount when you purchase multiple artworks.
Description
Emanuele Ravagnani uses a mix of techniques, ranging from painting to material assembly and collage, from oil-based paints to natural pigments, objects recovering, photographs, to redefine the space-time dimension by relocating the objects themselves.
For this series he chooses details of his works on which he photographs and repaints his immage.
An anthropomorphic transformation based reprocessing project.
Impersonation from the observer on human existentialism.
Five self portraits.
The intervention on matter binds to the photographic base.
Repainted.
A timeline ascribable from different media connected by the artist’s expression.
A painting within the painting.
A twisted vision reassembled in human bodies.
Presentation
Emanuele Ravagnani, born in 1989, graduated from the Accademia delle Belle Arti of Brera, Milano, in 2013. He uses a mix of techniques, ranging from painting to material assembly and collage, from oil-based paints to natural pigments, objects recovering, B/W photographs that he develops on his own in a darkroom, to redefine the space-time dimension by relocating the objects themselves. His elective territory veers on graphics, with the production of big and medium size works on canvas, with lines defining utopian architectures hidden by a haze of color.
The creative tension of his shapes, sometimes recognizable, sometimes not, seemingly carved in the high density of color meant as matter, splays in a chaotic and cryptic connection with language and numerology, inciting the eye to seek for mysterious relations between signs, figures and space.
Even music, fundamental in his language (he plays bass guitar and contrabass) expresses itself both conceptually, with references to musicians who have marked the history of jazz and avant-garde music, and experimentally with sculptures and installations realized with old recovered instruments, weld metals, a series of recovered gears and wheels which move and play guitars, keyboards and drums.
Emanuele Ravagnani also uses electronic music, through bases an synthesized sounds, created to be bases for videos projected on 5'' CRT TV's.
The creative tension of his shapes, sometimes recognizable, sometimes not, seemingly carved in the high density of color meant as matter, splays in a chaotic and cryptic connection with language and numerology, inciting the eye to seek for mysterious relations between signs, figures and space.
Even music, fundamental in his language (he plays bass guitar and contrabass) expresses itself both conceptually, with references to musicians who have marked the history of jazz and avant-garde music, and experimentally with sculptures and installations realized with old recovered instruments, weld metals, a series of recovered gears and wheels which move and play guitars, keyboards and drums.
Emanuele Ravagnani also uses electronic music, through bases an synthesized sounds, created to be bases for videos projected on 5'' CRT TV's.
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Reviews from our customers
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