Bronze Sculpture for Sale
Niño, 2020
Painting : collage, mixed media · 96 x 66 x 1 cm 37.8 x 26 x 0.4 inch
€515
515 €
Shipping & delivery
Shipped from: Mexico
Delivery to: France , € 88
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
96 x 66 x 1 cm 37.8 x 26 x 0.4 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2023 • Top Seller
Description
In Niño obra de Zeta Yeyati we encounter more than a portrait of a child. We find a poetic construction where the central figure, a stylized child with a striking gaze, becomes the protagonist of a scene brimming with nostalgia and symbolism. Executed in mixed media on paper, with dimensions of 66x96 cm, the piece fuses acrylic, stencil and collage to build a visual world that feels both intimate and universal. The figure is outlined with minimal strokes, inhabiting a free compositional space where blue, orange, black and grey tones layer into a textured depth. The child here is not merely a figure but a symbol of permanence, playfulness and emotional truth. In line with Yeyati's artistic philosophy, the work is built from non-traditional materials and discarded elements, affirming that art must reclaim and give new value to what consumer culture leaves behind. Niño obra de Zeta Yeyati resonates with humor, nostalgia and imagination through expressive lines, graphic elements and pictorial gestures that invite the viewer into a silent story from a lost tale.
Childhood as a visual and emotional territory
Zeta Yeyati, born in Burzaco in 1965, is a visual artist who transforms discarded materials into works full of poetic depth. While he is widely recognized for his music, his creative roots lie in the visual arts. Since childhood, he explored drawing and working with wood, giving shape to a language of his own where the overlooked becomes meaningful through artistic gesture. His work emerges from a sensibility that reclaims the emotional resonance of everyday materials.
Niño obra de Zeta Yeyati as a visual manifesto of artistic freedom
In Niño obra de Zeta Yeyati we find the essence of his creative process: spontaneous, fluid and free from convention. His autodidactic formation, complemented by workshops with master artists, has led him to develop a unique style rooted in discovery. He gathers materials from street corners, flea markets or dumpsters and transforms them into visual poetry. In this painting, the child emerges surrounded by symbolic traces of memory, time and imagination. Hybrid graphic and pictorial languages coexist in harmony. The character's eyes, focal point of the work, compel us to remember, to look inward, to reconnect with the child we once were.
A portrait that transforms memory into a living image
What makes Niño obra de Zeta Yeyati so powerful is not just its aesthetic beauty, but its emotional resonance. This is not just a child but a universal figure of childhood. The work invites us to pause, to view with tenderness and curiosity, and to find in the ordinary the trace of what endures. With expressive color, minimalist lines and emotionally charged textures, Yeyati offers us a work that feels both nostalgic and vividly present. Niño obra de Zeta Yeyati opens a silent dialogue with the viewer and leaves us wondering what remains of that child in us all.
Presentation
Zeta Yeyati (Burzaco, 1965) is a visual artist who has transformed recycling into a poetic language and forgotten matter into an act of aesthetic redemption. While the public has come to know him as a musician in projects like Los Intocables, La Mississippi, or Babel Orkesta, his true creative roots lie in the visual arts. Visual expression was his first terrain. Before the chords came drawing. Before the stages came interlocked tree trunks.
A restless and sensitive autodidact, Yeyati attended workshops with figures such as Antonio Pujía, León Ferrari, and Diana Aisemberg, yet his work doesn't follow any formal school. He moves freely between ceramics, collage, stencil, and assemblage. His aesthetic is nourished by what others discard: street posters, scraps of iron, furniture legs, bronzes, and aged wood. A dumpster was his first museum. Then came flea markets, where he continues to collect remnants for his unique pieces.
In his works, dogs, birds, musicians, queens, horses, and magicians coexist, as if each figure emerged from a story older than the object itself. His repertoire is populated by characters that rise from the collage with the force of a lucid dream. He does not seek to imitate reality but to reincarnate fragments of it. As curator Rodrigo Alonso described, his art is a “vital philosophy" — a gesture that defies consumerism and embraces the possibility of reviving the forgotten.
Color —present with striking intensity in his recent work— arrived through an internal shift: his encounter with Milo Lockett, which not only redefined his palette but also his way of sharing his universe. Since then, Yeyati's work pulses with a more playful energy, without losing its symbolic depth.
Yeyati does not merely create images —he builds an emotional archaeology from the remnants of everyday life. Each work is a story made of time, memory, and waste; a rescue act that restores humanity to matter. From that gesture —profoundly plastic and profoundly human— his art speaks to those willing to look beyond the surface.
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Reviews from our customers
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