Green Square and Green Bottle. Diptych, 2019
Christopher T Terry  

Painting : oil · 106.7 x 162.6 x 2.5 cm 42 x 64 x 1 inch · Ready to hang

€10,072 10 072 €
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Shipped from: United States

Delivery to: France , € 320

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

106.7 x 162.6 x 2.5 cm 42 x 64 x 1 inch Height x Width x Depth

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Credentials

Vetted seller since 2019 • Top Seller

Description

This diptych explores the quiet tension of interior spaces. The composition relies on a muted palette and a precise sense of stillness. On the left, a minimalist table holds a few modest objects against a neutral wall. A floating green geometric shape introduces a surreal, intellectual element to the scene. The right panel shifts toward a more classical atmosphere. A table draped in a shimmering pale cloth anchors the room. A single green bottle stands as a focal point, echoing the hue from the adjacent canvas. 
The artist draws on a deep academic background and international experience. His approach blends traditional technique with a contemporary interest in spatial psychology. Light is handled with expert subtlety, creating a soft glow that defines the volume of the room. The transition between the two panels suggests a dialogue between abstraction and representation. Every brushstroke contributes to a feeling of meditative silence. This 2019 painting captures a moment of suspended time. The gaze is drawn to the interplay of vertical lines and the tactile quality of the fabric. It is a study of balance and atmospheric depth.

In most of the paintings, the artist uses an interior space as his subject, placing a table or similar object at its center. The use of symmetry and eye level often suggests an altar-like presence on the table, an interpretation undoubtedly reinforced by the tablecloth that frequently covers it. This frames and illuminates the subject in a way that interprets it as a secular altar where an ambiguous ritual takes place. The resulting images are often both serene and meditative, but they can also be filled with anticipation. This tension is sustained by a rhythm that evokes the rhythm of memory and dreams. Christopher Terry's paintings explore the tension between the everyday and the mystical. His subjects are primarily inspired by objects and artifacts that lack a strong ego and avoid connections to popular culture. He frames and illuminates this subject in a way that interprets still life as a secular altar where an ambiguous ritual takes place. The paintings resulting from this exploration are often both serene and meditative, yet also charged with anticipation. This tension is sustained by a rhythm that evokes the rhythm of memory and dreams. Paradoxically, for an artist like Terry, often considered a "realist," this rhythm arises more from invention and memory than from direct observation. 

From the Interior altar painting series Oil on canvas Overall size: 42 H x 64 W x 1 D in. Individual size: 42 H x 32 W x 1 D in.

Still Life

Bottles

Doors

Table

Interior

brown

Yellow

United States  • 1957

Presentation

Christopher T. Terry was born in Stamford, Connecticut and studied painting at Rhode Island College and the University of Wisconsin-Madison. He has exhibited his work throughout the United States and is currently represented by galleries in Manhattan and Charlotte, NC. He is the recipient of numerous awards as a painter including the Utah Visual Artist Fellowship, and a WESTAF/NEA Fellowship in Painting. He has twice been the recipient of a Fulbright Fellowship for Teaching and Research in Germany and in 2000 was a Visiting Artist at the American Academy in Rome.

Terry taught at universities in the U. S. and Germany and served for ten years as Associate Dean in the Caine College of the Arts at Utah State University. He left academia in 2020 to work full-time as a painter.

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