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Tingari cycle (RT03/0611BPG),
Circa 2011
by Ronnie Tjampitjinpa
Painting : acrylic 121.9 x 91.4 x 1.9 cm 48 x 36 x 0.75 inch
$12,500
One of the last works available by this artist
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About the artwork
Unique work
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Artwork location: United States
Ronnie Tjampitjinpa was born in Pintupi land at Muyinnga, about 100 kilometres west of the Kintore Range, just across the Western Australian border. He is the son of Uta Uta Tjangala’s older brother, Minpuru Tjangala (c.1899–1976).
After his initiation into Pintupi law at the site of Yumari, Tjampitjinpa and his younger brother Smithy Zimran Tjampitjinpa walked into the Aboriginal community of Yuendumu. They later joined their parents and other siblings – who had come in to Ikuntji (Haasts Bluff) in 1956 from the Dover Hills/Yumari area – at the new settlement of Papunya. Tjampitjinpa worked as a labourer, assisting with the fencing of the aerodromes at Papunya and Ikuntji. He was one of the youngest of the group of men who began painting at the start of the Western Desert art movement in 1971, and was a founder of Paunya Tula Artists.
During the 1970s, Tjampitjinpa was preoccupied with returning to his traditional lands and became a strong advocate for the outstation movement, travelling between meetings in Papunya, Yuendumu, Wirrimanu (Balgo) and Mount Doreen Station. His goal was finally achieved with the establishment of the Walungurru (Kintore) settlement in 1981. Tjampitjinpa moved there with his young family in 1983, establishing an outstation at Ininti (Redbank) and serving as chairman of the Kintore Outstation Council. During this period, he emerged as one of Papunya Tula Artists’ major painters, pioneering the bold, scaled-up, linear style that came to dominate many of the Walungurru painters’ work during the 1990s. His distinctive aesthetic preoccupa-tion is exemplified in the untitled works of 1994 and 2001. Now one of the last founding members of Papunya Tula Artists, Tjampitjinpa’s career spans more than 40 years. He has had six solo exhibitions since 1989 in Australia, most recently at Utopia Art, Sydney.
Throughout the 1980s Tjampitjinpa worked devotedly on a land claim for Ininti, holding meetings in Darwin, Warmun (Turkey Creek), Utopia and many other places before finally abandoning political involvement as ‘ ... too much humbug for too long’. Tjampitjinpa now wants ‘ … to settle down and work for myself, just painting’, and resides on his out-station when not at Walungurru or in Mparntwe (Alice Springs).
Vivien Johnson in 'Tradition today: Indigenous art in Australia’, Art Gallery of New South Wales, Sydney, 2014
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After his initiation into Pintupi law at the site of Yumari, Tjampitjinpa and his younger brother Smithy Zimran Tjampitjinpa walked into the Aboriginal community of Yuendumu. They later joined their parents and other siblings – who had come in to Ikuntji (Haasts Bluff) in 1956 from the Dover Hills/Yumari area – at the new settlement of Papunya. Tjampitjinpa worked as a labourer, assisting with the fencing of the aerodromes at Papunya and Ikuntji. He was one of the youngest of the group of men who began painting at the start of the Western Desert art movement in 1971, and was a founder of Paunya Tula Artists.
During the 1970s, Tjampitjinpa was preoccupied with returning to his traditional lands and became a strong advocate for the outstation movement, travelling between meetings in Papunya, Yuendumu, Wirrimanu (Balgo) and Mount Doreen Station. His goal was finally achieved with the establishment of the Walungurru (Kintore) settlement in 1981. Tjampitjinpa moved there with his young family in 1983, establishing an outstation at Ininti (Redbank) and serving as chairman of the Kintore Outstation Council. During this period, he emerged as one of Papunya Tula Artists’ major painters, pioneering the bold, scaled-up, linear style that came to dominate many of the Walungurru painters’ work during the 1990s. His distinctive aesthetic preoccupa-tion is exemplified in the untitled works of 1994 and 2001. Now one of the last founding members of Papunya Tula Artists, Tjampitjinpa’s career spans more than 40 years. He has had six solo exhibitions since 1989 in Australia, most recently at Utopia Art, Sydney.
Throughout the 1980s Tjampitjinpa worked devotedly on a land claim for Ininti, holding meetings in Darwin, Warmun (Turkey Creek), Utopia and many other places before finally abandoning political involvement as ‘ ... too much humbug for too long’. Tjampitjinpa now wants ‘ … to settle down and work for myself, just painting’, and resides on his out-station when not at Walungurru or in Mparntwe (Alice Springs).
Vivien Johnson in 'Tradition today: Indigenous art in Australia’, Art Gallery of New South Wales, Sydney, 2014
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Ronnie Tjampitjinpa was born in 1943 in Australia, near Muyinga which remains to this day an almost unexplored region of the country. He began painting in the 80s.
In 1970, he became involved with a movement defending the rights of the aborigines, so that they could return to live on their land. Having played an important political role, he decided to return to his home in 2002 to devote himself solely to painting.
Ronnie Tjampitjinpa's style is easily identifiable. The geometry in his paintings strikes the viewer, and testifies of the cerebrality often associated with the art Pintupi, which he practiced with his family during his youth.
Ronnie Tjampitjinpa is now a renowned figure of Aboriginal art in Australia.
He has participated in numerous solo and group exhibitions. Several of his works are present at the Museum of Quai Branly.
Awards received by this artist:
2004. Finalist, 21st Telstra National Aboriginal & Torres Strait Islander Art Award, Darwin (Australia)
1995. Highly commended recognition at the 20th Annual Fremantle Print Award (Australia)
1988. Alice Springs Art Prize (Australia)
His works are present in many collections:
Art Gallery of New South Wales, Sydney (Australia)
Art Gallery of South Australia, Adelaide (Australia)
Artbank, Sydney (Australia)
Donald Kahn collection, Lowe Art Museum, University of Miami (USA)
Colas Foundation, Paris (France)
Galleria Nazionale di Arte Moderna, Rome (Italy)
Groninger Museum (Netherlands)
Helen Read Collection, Adelaide (Australia)
Vienne Museum of Fine Arts and Archeology (France)
Confluence Museum, Lyon (France)
Quai Branly Museum – Jacques Chirac, Paris (France)
Olympic Museum, Lausanne (Switzerland)
Museums and Art Galleries of the Northern Territory, Darwin (Australia)
National Gallery of Australia, Canberra (Australia)
National Gallery of Victoria, Melbourne (Australia)
The Holmes a Court Collection, Perth (Australia)
Voices of the Hearth, Jehangir Nicholson National Center for Performing Arts, Mumbai (India)
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Ronnie Tjampitjinpa
Tingari cycle (RT03/0611BPG), 2011
Painting
$12,500
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