# Untitled, 242, 2024
Painting : acrylic, wax, pencil, pigment ink, charcoal, lead mine, plaster, Pigments · 100 x 81 x 2.2 cm 39.4 x 31.9 x 0.9 inch · Ready to hang
€900
900 €
Delivered in time for Christmas
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 81
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
100 x 81 x 2.2 cm 39.4 x 31.9 x 0.9 inch Height x Width x Depth
Artwork dimensions including frame
108 x 89 x 3 cm 42.5 x 35 x 1.2 inch
Sold by
Independent artist
Credentials
Vetted seller since 2025
Description
This abstract work presents a striking contrast between dark earthy hues and light shades. The upper portion is dominated by a deep, textured brown, evoking an intense and mysterious atmosphere. Below, a luminous white expanse captures the attention with its brilliant clarity. Brutal strokes and touches of terracotta color energize the whole, suggesting tumultuous movement. Subtle variations in texture add captivating depth, encouraging detailed visual exploration. The skillful juxtaposition of colors and materials creates a strong aesthetic tension, revealing the artist's talent for playing with visual contrasts. This piece, both bold and enigmatic, leaves room for personal interpretation, inviting the viewer to immerse himself in a unique emotional and sensory journey.
Presentation
My paintings have been exhibited nationally, and some have been purchased abroad. For me, colors and shapes are the basis of abstract painting. I express myself primarily on wood or heavy linen canvases. These supports allow me to feel closer to reality and thus find greater balance in my work. I use various media such as binders, plaster, acrylic, charcoal, pencils, rare pigments, varnishes, and collage in my artistic process.
"The primary purpose of the material is not to give a sense of volume to the work. It must be left in its imprint state, it must remain, nevertheless, as a founding part of the project, upon contact with it the work comes to life."
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